2022
Tuesday, November 29, 2022
An Oblong Online Event
Online Event 7:00 pm EST/GMT-5 Ancient Lives is a new series, from Yale University Press, of biographies of “thinkers, writers, kings, queens, conquerors, and politicians—both the well-known and the lesser known—from all parts of the ancient world.” James Romm, James H. Ottaway Jr. Professor of Classics at Bard College and editor of the series, will talk with fellow authors Francine Prose & Peter Stothard about the first three books in the series - Cleopatra: Her History, Her Myth, Crassus: The First Tycoon and Demetrius: Sacker of Cities. This is an online event is hosted by Oblong Books. It is free and open to the public, though an RSVP is required—you may RSVP here. James Romm's Demetrius: Sacker of Cities is a portrait of one of the ancient world’s first political celebrities, who veered from failure to success and back again. The life of Demetrius (337–283 BCE) serves as a through-line to the forty years following the death of Alexander the Great (323–282 BCE), a time of unparalleled turbulence and instability in the ancient world. With no monarch able to take Alexander’s place, his empire fragmented into five pieces. Peter Stothard's Crassus: The First Tycoon is the story of Rome’s richest man, who died a humiliating desert death in search of military glory. After Crassus was killed, historians told many stories of his demise. Some said that his open mouth, shriveled by desert air, had been filled with molten gold as a testament to his lifetime of greed. His story poses both immediate and lasting questions about the intertwining of money, ambition, and power. Francine Prose brings a feminist reinterpretation of the myths surrounding Cleopatra and casts new light on the Egyptian queen and her legacy. Prose delves into ancient Greek and Roman literary sources, as well as modern representations of Cleopatra in art, theater, and film, to challenge past narratives driven by orientalism and misogyny and offer a new interpretation of Cleopatra’s history through the lens of our current era. You may read more about the event on the Oblong Books website. |
Friday, November 4, 2022
Olin Humanities Building 9:30 am – 4:00 pm EDT/GMT-4
This year, IWT’s Writer as Reader workshops will be held on Friday, November 4, 2022. The lineup features novels, poetry, nonfiction, historical documents, plays, letters, and more. Each workshop will highlight writing-to-read strategies that foster close reading and help readers develop an appreciation for the connections between different but related texts. Writer as Reader workshops emphasize the pedagogical value of teaching texts that are unfamiliar to students, prompting them to read closely and critically, with attentiveness and an open mind. These workshops offer opportunities for critical reading and discussion, while modeling writing and reading activities that can focus class discussion, help students engage with difficult material, and emphasize the social character of all learning. Workshop offerings: 1. Writing to Read Beloved Toni Morrison, Beloved; Charles W. Chesnutt, “Po’ Sandy”; Frederick Douglass, Narrative of the Life of Frederick Douglass, an American Slave (excerpts) 2. “To Make Real the Promise of Democracy:” Martin Luther King Jr. and Henry David Thoreau on Citizenship and Civil Disobedience Martin Luther King Jr., “Letter from Birmingham Jail”; Henry David Thoreau, “On the Duty of Civil Disobedience” 3. Oedipus and Tiresias: Performing Status and Sexuality Sophocles, Oedipus Rex (trans. Ellen McLaughlin); Anna-Marie McLemore, When the Moon Was Ours; selections from Ovid’s Metamorphoses; and Keith Johnstone, Impro for Storytellers 4. The Radical Power of the Partial Perspective: Valeria Luiselli’s Tell Me How it Ends: An Essay in Forty Questions and Brian Dillon’s Essayism Brian Dillon, Essayism: On Form, Feeling, and Nonfiction; Valeria Luiselli Tell Me How it Ends: An Essay in Forty Questions 5. The Cannibal, the Witch, and the Colonizers: Shakespeare’s The Tempest Historicized William Shakespeare, The Tempest; selections from James Baldwin, Aimé Césaire, Jamaica Kincaid, Michel Montaigne, and Jimmie Durham (provided). 6. Listening to N.K. Jemisin and Janelle Monáe: Writing and the Arts of Change N.K. Jemisin, The Fifth Season; music videos by Janelle Monáe. 7. Mapping Elizabeth Bishop: The Poetics of Geography Selected poems by Elizabeth Bishop; selected maps from the Library of Congress online archives. 8. Sentience, Loss, and Empathy in Klara and the Sun Kazuo Ishiguro, Klara and the Sun; Loren Eiseley, “The Bird and the Machine”; Adam Gopnik, “Death of a Fish” 9. Love in a Time of Terror: Connection and Recognition in James Baldwin’s The Fire Next Time and Alexis Pauline Gumbs’s Undrowned James Baldwin, The Fire Next Time; Alexis Pauline Gumbs, Undrowned: Black Feminist Lessons from Marine Mammals 10. Telling Our Stories: Building Bridges Through Language, Image, and Form Trung Le Nguyen, The Magic Fish; Ocean Vuong, Night Sky with Exit Wounds |
Tuesday, October 25, 2022
Olin Humanities, Room 102 5:00 pm – 6:30 pm EDT/GMT-4
'Playing' and 'cunning' have emerged over the last couple of decades as tenable measures for countering military and political oppression, exploitation, and deep inequality in Palestine/Israel. A variety of art works have similarly endorsed these measures to shun such a reality. Her talk will explore this work, including the image on the poster, "Hourglass" (2012), by artist Majd Abdel Hamid. Adania Shibli is an award-winning writer whose most recent novel, Minor Detail (2020), was longlisted for the Booker Prize and shortlisted for a National Book Award. Her first two books, Touch (2001) and We are all equally far from love (2003), both received the Qattan Foundation's Young Writers Award. Download: adania-shibli-copy.pdf |
Monday, October 24, 2022
Acclaimed Journalists Chris Whipple and Brian Dumaine to Deliver Fifth John J. Curran ’75 Lecture in Journalism at Bard College on Monday, October 24
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 5:15 pm – 7:00 pm EDT/GMT-4 On Monday, October 24, acclaimed author, political analyst, documentary filmmaker, and Emmy and Peabody Award–winning former 60 Minutes producer Chris Whipple and prize-winning journalist and contributing editor at Fortune magazine Brian Dumaine will present a talk, “From the Oval Office to the Corner Office: What we have learned about presidents and plutocrats,” at Bard College as part of the John J. Curran ’75 Lectures in Journalism Series. Whipple and Dumaine will be introduced by Bard alumnus Ethan Porter ’07, author of The Consumer Citizen and associate professor of media and public affairs and of political science at George Washington University. This lecture is presented by the Office of Development and Alumni/ae Affairs and the Written Arts Program. |
Monday, October 24, 2022
A Talk by Chris Whipple and Brian Dumaine
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 5:00 pm – 7:00 pm EDT/GMT-4 On Monday, October 24, acclaimed author, political analyst, documentary filmmaker, and Emmy and Peabody Award–winning former 60 Minutes producer Chris Whipple and prize-winning journalist and contributing editor at Fortune magazine Brian Dumaine will present a talk, “From the Oval Office to the Corner Office: What we have learned about presidents and plutocrats,” at Bard College as part of the John J. Curran ’75 Lectures in Journalism Series. Whipple and Dumaine will be introduced by Bard alumnus Ethan Porter ’07, author of The Consumer Citizen and associate professor of media and public affairs and of political science at George Washington University. This lecture is presented by the Office of Development and Alumni/ae Affairs and the Written Arts Program. Chris Whipple is the author of the New York Times bestseller, The Gatekeepers: How the White House Chiefs of Staff Define Every Presidency, and The Spymasters: How the CIA Directors Shape History and the Future. He appears regularly on MSNBC, CNN, and NPR, and has written for The New York Times, Washington Post, and Vanity Fair. A former producer for CBS News 60 Minutes, Whipple is the executive producer and writer of the Showtime film The Spymasters: CIA in the Crosshairs, for which he interviewed every living director. His next, highly-anticipated book, is The Fight of His Life: Inside Joe Biden’s White House will be published January 17, 2023. Brian Dumaine is the author of Bezonomics: How Amazon Is Changing Our Lives and What The World’s Best Companies Are Learning From It, which has been translated into 17 languages and was called “an illuminating exploration” by the Washington Post. He is an award-winning journalist and a contributor to Fortune magazine, where he has been editing, writing feature stories, and running conferences on a broad range of business topics for the past three decades. He has served as international editor and assistant managing editor of Fortune as well as executive editor of Fortune Small Business. He is also co-founder and editor-in-chief of High Water Press, a boutique writing and editing firm that serves Fortune 500 companies. John J. Curran ’75 Lectures in Journalism honors the memory of a proud Bardian whose dedication to ethical reporting in journalism informed a trusting readership for over a quarter of a century and promoted a culture of honesty, integrity, and truth. This event is free and open to the public. Press Release: View |
Tuesday, October 18, 2022
Campus Center, Weis Cinema 6:00 pm – 7:30 pm EDT/GMT-4
On Tuesday, October 18 at 6 pm in Weis Cinema, Gwenda-lin Grewal will give a talk on her book Fashion / Sense. Fashion / Sense seeks to explode fashion, and with it, the stigma in philosophy against fashion’s superficiality. Using primarily ancient Greek texts, alongside allusions to fashion and pop culture, Grewal examines the rift between fashion and philosophy, and challenges the claim that fashion is modern. Fashion’s quarrel with philosophy may be as ancient as that infamous quarrel between philosophy and poetry. And the quest for fashion’s origins—for a neutrally-outfitted self, stripped of the self-awareness that comes with thinking—prompts deeper questions about human agency and time. In the silhouettes of clothes and words, fashion emerges as perhaps philosophy’s most underestimated doppelgänger. Introduced by writer and Bard College faculty member Benjamin Hale, and followed by a Q&A. Gwenda-lin Grewal is currently the Onassis Lecturer in Ancient Greek Thought and Language at the New School for Social Research. She is the author of Fashion | Sense: On Philosophy and Fashion (Bloomsbury, 2022), Thinking of Death in Plato’s Euthydemus: A Close Reading and New Translation (Oxford University Press, 2022), an edited volume of essays on “(Mis)quotations in Plato” (Center for Hellenic Studies, 2022), and English translations of Plato’s Phaedo (Center for Hellenic Studies, 2018) and Plato’s Cratylus (New Alexandria, forthcoming). Her awards include the Blegen Research Fellowship (Vassar College) and an Andrew W. Mellon Postdoctoral Fellowship (Yale University). Benjamin Hale is the author of the novel The Evolution of Bruno Littlemore (Twelve, 2011) and the collection The Fat Artist and Other Stories (Simon & Schuster, 2016). He has received the Bard Fiction Prize, a Michener-Copernicus Award, and nominations for the Dylan Thomas Prize and the New York Public Library's Young Lions Fiction Award. His writing has appeared, among other places, in Conjunctions, Harper's Magazine, the Paris Review, the New York Times, the Washington Post, and has been anthologized in Best American Science and Nature Writing. |
Thursday, October 13, 2022
Campus Center, Weis Cinema 5:15 pm – 6:15 pm EDT/GMT-4
On Thursday, October 13 at 5:15 pm in Weis Cinema, National Book Award finalist Jamil Jan Kochai will read from his work. Introduced by writer and Bard College faculty member Wyatt Mason, the reading will be followed by a moderated Q&A. Jamil Jan Kochai is the author of The Haunting of Hajji Hotak and Other Stories and 99 Nights in Logar, a finalist for the PEN/Hemingway Award for Debut Novel and the DSC Prize for South Asian Literature. He was born in an Afghan refugee camp in Peshawar, Pakistan, but he originally hails from Logar, Afghanistan. His short stories and essays have appeared in the New Yorker, the New York Times, the Los Angeles Times, Ploughshares, the O. Henry Prize Stories 2018, and the Best American Short Stories. Kochai was a Stegner Fellow at Stanford University and a Truman Capote Fellow at the Iowa Writers’ Workshop, where he was awarded the Henfield Prize for Fiction. Currently, he is a Hodder Fellow at Princeton University. Wyatt Mason is a contributing writer for the New York Times Magazine and a writer in residence at Bard, where he is a senior fellow of the Hannah Arendt Center. You may also see Jamil Jan Kochai and Wyatt Mason in conversation on Friday, October 14, at 3:45 pm at the Hannah Arendt Center 14th Annual Fall Conference. Download: KOCHAI, _Occupational Hazards,_ The New Yorker.pdf Read Kochai's short story, “Occupational Hazards.” |
Monday, October 3, 2022
Bard Fiction Prize winner and writer in residence at Bard College reads from her recent work
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:30 pm – 8:00 pm EDT/GMT-4 On Monday, October 3 at 6:30pm in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC), Bard Fiction Prize winner Lindsey Drager will read from her work. Introduced by Bard College literature professor and novelist Bradford Morrow, the reading is free and open to the student body. “Lindsey Drager’s wonderfully innovative novel, The Archive of Alternate Endings, takes its readers on an elliptical, speculative, philosophically intrepid journey that tracks the evolution of the old folktale, Hansel and Gretel, between 1378 and 2365, even as it redefines and revises our sense of what narrative itself can achieve,” writes the Bard Fiction Prize committee. “As Halley’s Comet revisits the Earth every 75 years, like some cosmic metronome, we encounter the siblings Jacob and Wilhelm Grimm, Johannes Gutenberg and his sister, and twin space probes searching the galaxy for a sister planet to our own. As we do, we witness the many ways in which Hansel and Gretel themselves are transformed along with the human experience their tale portrays. Intimate in its understanding of the multiplicities of love, here is an elegantly succinct work of art that is flat-out epic in scope. And while one may look to Borges, Calvino, Winterson, even the Terrence Malik of Tree of Life for comparison, Drager’s vision is breathtakingly original and The Archive of Alternate Endings displays the confident technique and wild inventiveness of an already accomplished literary artist emerging into virtuosity.” Lindsey Drager is the author of three novels: The Sorrow Proper (Dzanc 2015), The Lost Daughter Collective (Dzanc 2017), and The Archive of Alternate Endings (Dzanc 2019). Her books have won a John Gardner Fiction Award and a Shirley Jackson Award; been listed as a “Best Book of the Year” in The Guardian and NPR; and twice been named a finalist for a Lambda Literary Award. A Spanish language edition of her second book was published this year in Spain, and an Italian edition of The Archive of Alternate Endings is forthcoming. A 2020 National Endowment for the Arts Fellowship recipient in Prose, she is currently the associate fiction editor of the literary journal West Branch and an assistant professor in the creative writing program at the University of Utah. Bradford Morrow is the founding editor of Conjunctions. He is the author of ten books of fiction, including Trinity Fields, Giovanni’s Gift, The Forgers, and The Prague Sonata. He is the recipient of a Guggenheim Fellowship in fiction, an Academy Award in literature from the American Academy of Arts and Letters, and the PEN/Nora Magid Award for excellence in editing a literary journal. A Bard Center Fellow and professor of literature at Bard College, he lives in New York City. |
Wednesday, September 14, 2022
Meet faculty and other student writers, and ask questions about workshops and Moderation.
Shafer House 6:30 pm – 8:00 pm EDT/GMT-4 The Written Arts Program welcomes any and all interested students to an open house in Shafer House. Members of the faculty will be in attendance to answer any specific questions you may have, and/or to talk with you generally about workshops, Moderation, and Senior Projects. Enjoy the waterfall and have some refreshments as you chat with other student writers about their experiences in the program and Senior Projects. Shafer House (9 Cedar Hill Road) is located at the Annandale Triangle on south campus, across the road from Feitler House. |
Wednesday, September 7, 2022
A Lecture by ilija Trojanow
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 5:30 pm – 7:30 pm EDT/GMT-4 "Each day we are sold different versions of yesterday, but rarely offered a different tomorrow. The apocalypse streams into every household at a flat rate. In an era of dystopian forebodings, the future can no longer be taken for granted, and optimism is under siege. It seems high time for a reboot of utopian literature, in which a space that is not, may yet come to be in the future. We are near forgetting that history is not a foregone conclusion, and that fatalism is the last refuge of the coward. How we shape the future lies in our own hands, but with the prerequisite that we are ready to think ahead, into the unknown and uncertain, imagining alternatives to given paradigms. If the seeds of human progress are indeed planted by ideas before they can blossom into transformations, utopian narratives are of existential importance." Our guest, Ilija Trojanow, has spent the past several years working on a utopian novel and exploring the history of Utopia. At a time when we reckon with our destruction of the natural world and of imagination, Trojanow's work encourages us to scrub clear our overclouded skies and to ask ourselves: what is literature if not unshackled fancy? |
Tuesday, September 6, 2022
Campus Center, Weis Cinema 5:30 pm – 7:30 pm EDT/GMT-4
This event brings together in person on the Bard campus in Annandale three esteemed writers—Nuruddin Farah, Ilija Trojanow, and Aleksandar Hemon—to read from and discuss their work. As suggested by the titles North of Dawn (Farah) and Nowhere Man (Hemon), all three writers are concerned in their work with questions of place and displacement, of cultural difference and shared humanity, and of what Trojanow in his recent work calls “utopian narratives.” Each also has deep personal and professional connections to more than one language, and together they comprise a knowledge of literatures that is truly stunning in its diversity, including works composed in Arabic, Bulgarian, German, Serbo-Croation, and Somali, among other languages. All three authors are also active in a plurality of genres and media, which taken together includes novels, short stories, criticism, plays, film and television scripts, and music. On this evening, they will read and discuss their work and explore common concerns and points of difference, and will invite the audience to join in the conversation |
Tuesday, May 10, 2022 – Wednesday, May 11, 2022
Campus Center, Weis Cinema 6:00 pm – 8:00 pm EDT/GMT-4
|
Wednesday, May 4, 2022 – Thursday, May 5, 2022
New Annandale House 6:00 pm – 8:00 pm EDT/GMT-4
An exhibition of work curated and created by Bard students Kimbrielle Boult, Sahar Carter, Dana Debro, Emma Deutsch, Valentina Flores, Rasheeda Graham, Diana McCready, Sydney Oshuna, Lowell Thomas, and Immanuel Williams in collaboration with artist Natasha Marin. May 4–9 at Campus Center Gallery Photography by Lowell Thomas and Rasheeda Graham Blacktivations Catalogue by Emma Deutsch May 4 at New Annandale House Opening Ritual, 6-8 pm Performance by Kimbrielle Boult Installation by Dana Debro and Sydney Oshuna May 5 at New Annandale House Closing Ritual 6-8 pm Installation by Dana Debro and Sydney Oshuna Interactive Performance by Diana McCready, Valentina Flores, Sahar Carter, and Immanuel Williams |
Thursday, April 28, 2022
Seungyeon Gabrielle Jung
Mellon Postdoctoral Fellow in the Humanities, Stanford University This event is presented on Zoom. 11:50 am – 1:10 pm EDT/GMT-4 Olympic design needs to express the universal values that the Olympic Movement promotes, and it should be understood easily by a global audience; at the same time, it needs to set the host apart from other nations visually and highlight the uniqueness of its culture. This is a particularly difficult task for non-Western countries, whose national culture and identity can easily fall victim to Orientalism when presented on the world stage. This lecture examines the design style and strategies chosen for the 1988 Summer Olympics and how this design project, which is deemed successful by many, “spectacularly failed” to understand the concepts such as universalism, modernity, modernist design, and Orientalism. Seungyeon Gabrielle Jung studies politics and aesthetics of modern design with a focus on South Korean and Silicon Valley design. She received her PhD in Modern Culture and Media from Brown University in 2020. Trained in graphic design, Gabrielle also writes on the issues of design and feminism. Her book project, Toward a Utopia Without Revolution: Globalization, Developmentalism, and Design, looks at political and aesthetic problems that modern design projects generated in South Korea, a country that has experienced not only rapid economic development but also immense political progress in less than a century, from the end of the World War II to the beginning of the new millennium. In Fall 2022, she will join the Department of Art History and PhD Program in Visual Studies at the University of California, Irvine as Assistant Professor of Korean Art History. |
Wednesday, April 27, 2022
E. Tammy Kim (New York Times)
Olin Humanities, Room 102 5:30 pm – 7:00 pm EDT/GMT-4 When the U.S. military finally withdrew from Afghanistan, an old tally reappeared in the news. Our “forever wars” were not only the live military operations we’d pursued in the Middle East since 9/11; they also encompassed some 500 U.S. bases and installations all over the world, stretching back to the early 20th century. Some call this “empire;” some call it “security,” even “altruism.” In East Asia, the long arm of U.S. power reaches intimately into people’s lives. South Korea has hosted U.S. military personnel since World War II and remains a primary base of operations in the Asia Pacific. Some thirty thousand U.S. soldiers and marines are stationed there, on more than 70 installations. In 2018, U.S. Army Garrison Humphreys opened in the city of Pyeongtaek, at a cost of $11 billion. Humphreys is now the largest overseas U.S. military base by size and the symbol of a new era in the U.S.-South Korea alliance. Meanwhile, South Korea has become the tenth-richest country in the world and has one of the largest militaries—thanks to universal male conscription and an extraordinary budget. The country’s arms industry is also world-class, known for its planes, submarines, and tanks. This talk will draw on reporting and family history to explore the evolving U.S.-South Korea alliance. How do the martial investments of these historic “allies” affect the lives of ordinary South Koreans—and Korean Americans? And if the two Koreas are still technically at war, what kind of war is it? E. Tammy Kim is a freelance magazine reporter and a contributing opinion writer at the New York Times, covering labor issues, arts and culture, and the Koreas. She cohosts Time to Say Goodbye, a podcast on Asia and Asian America, and is a contributing editor at Lux, a new feminist socialist magazine. She holds fellowships from the Alicia Patterson Foundation and Type Media Center. In 2016, she and Yale ethnomusicologist Michael Veal published Punk Ethnography, a book about the aesthetics and politics of contemporary world music. Her first career was as a social justice lawyer in New York City. This event is part of the Asian Diasporic Initiative Speaker Series. For more information, please contact Nate Shockey: [email protected]. |
Monday, April 25, 2022
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:00 pm – 7:30 pm EDT/GMT-4
On Monday, April 25, at 6 pm in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC), writer and Bard faculty member Susan Fox Rogers will read from her work, followed by a discussion moderated by Bard faculty member Dinaw Mengestu. Susan Fox Rogers is a birder, rock climber, kayaker, teacher, and writer who has authored and/or edited numerous works focused on the natural world and outdoor adventure. Her books include When Birds Are Near: Literary Bird Tales, My Reach: A Hudson River Memoir, Antarctica: Life on the Ice (silver medal winner, Society of American Travel Writers), Going Alone: Women's Adventures in the Wild, Two in the Wild: Tales of Adventure from Friends, Mothers, and Daughters, Alaska Passages: 20 Voices from Above the 54th Parallel, Solo: On Her Own Adventure, and Another Wilderness: New Outdoor Writing by Women. She was selected by the National Science Foundation to participate in a U.S. Antarctic Artists and Writers Program during the 2004–05 austral summer. Her most recent book, Learning the Birds: A Midlife Adventure, was published earlier this year. Read more about Susan's work here. |
Thursday, April 21, 2022
Andre Haag, Assistant Professor of Japanese Literature at the University of Hawaii, Manoa
Online Event 5:00 pm – 6:15 pm EDT/GMT-4 The field of post/colonial East Asian cultural studies has recently rediscovered the transpacific potential of the theme of ethnic passing, a problematic that is deeply rooted in North American racial contexts but might serve to disrupt global fictions of race and power. Although tropes adjacent to ethnonational passing frequently appear in minority literatures produced in Japan, particularly Zainichi Korean fiction, the salience of the phenomenon was often obscured within the avowedly-integrative and assimilative cultural production of Japanese colonialism. This talk will challenge that aporia by demonstrating how the structural possibility of Korean passing left behind indelible traces of racialized paranoia in the writings of the Japanese colonial empire that have long outlived its fall. Introducing narratives and speech acts in Japanese from disparate genres, past and present, I argue that paranoia was as an effect of insecure imperial modes of containing the passing specters of Korea and Korean people uneasily absorbed within expanding Japan by colonial merger. I trace how disavowed anxieties of passing merge with fears of treachery, blurred borders, and the unreadability of ethnoracial difference in narrative scripts that traveled across space, from the colonial periphery to the Japanese metropole along with migrating bodies, between subjects, and through time. If imperial paranoia around passing took its most extreme expression in narratives of the murderous 1923 “Korean Panic,” popular Zainichi fiction today exposes not only the enduring structures of Japanese Koreaphobia (and Koreaphilia) but the persistence of shared anxieties and precarities binding former colonizer and colonized a century later. This meeting will be on Zoom: https://bard.zoom.us/j/89025574917 |
Thursday, April 14, 2022
Jen Wei Ting
Olin Humanities, Room 201 11:50 am – 1:10 pm EDT/GMT-4 How and why do we come to think of certain paintings or books as “good” art? Through a critical examination of the works of 19th century Southeast Asian painters Raden Saleh and Juan Luna, and a review of recent translated works by Indonesian and Korean writers, we will discuss how race and power dynamics have come to influence and dictate perceptions of artistic merit. By sharing my journey writing and publishing fiction, I hope this can lead everyone to question their own cognitive biases about “good” or “bad” art, and to recognize both the art of whiteness, and the whiteness of art. Jen Wei Ting is an essayist, novelist and critic whose work has been published in the Economist, Time Magazine, Electric Literature, Catapult, Room Magazine, and more. Born in Singapore and educated in the US and Japan, she lives and thinks in multiple languages including Chinese, Japanese, and Korean, and is a prize-winning Chinese screenwriter. This event is part of the Asian Diasporic Initiative Speaker Series. For more information: contact Nate Shockey at [email protected]. |
Tuesday, April 12, 2022
A Conversation Between Tiffany Tsao and Jen Wei Ting
Online Event 5:00 pm – 6:30 pm EDT/GMT-4 This event will be held on Zoom. Tiffany Tsao is the translator of five books by Indonesian authors, including Happy Stories, Mostly by Norman Erikson Pasaribu and People From Bloomington by Budi Darma. Her translation of Happy Stories, Mostly was long-listed for the 2022 International Booker Prize. She also writes fiction and is the author of The Majesties. She’s an ex-academic with an English PhD. Jen Wei Ting is a fiction writer and essayist whose work has been published or is forthcoming in The Economist, Time Magazine, Catapult, Electric Literature, Room Magazine, Quarterly Literary Review of Singapore, CHA: An Asian Literary Journal, and more. Born in Singapore and educated in the US and Japan, she lives and thinks in multiple languages including Chinese, Japanese, and Korean. This event is part of the Asian Diasporic Initiative Speaker Series. |
Monday, April 4, 2022
A Talk by Yásnaya Elena Aguilar Gil
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:00 pm – 7:30 pm EDT/GMT-4 On Monday, April 4 at 6 pm, in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC), writer and activist Yásnaya Elena Aguilar Gil will give a talk. Introduced by Nadine Fattaleh, this presentation will address the differences between art, literature, and other poetic manifestations of different Indigenous cultures. The tradition of these Native nations can become the future considering the challenges of climate crisis that humanity is facing. Verónica Mártínez-Cruz, Andrés Block Martínez and Nicole Hazan will be interpreting the subsequent Q&A. Born in Ayutla Mixe, Oaxaca, Yásnaya Elena Aguilar Gil is an Ayuujk linguist, writer, translator, and human rights activist. She has written for a variety of media in Mexico, including Letras Libres, Nexos, and Revista de la Universidad de México. She is a member of COLMIX, a collective of young Mixe people who carry out research on Mixe language, history, and culture. She studied Hispanic Languages and Literatures and holds a Master’s degree in Linguistics from UNAM. Nadine Fattaleh is a writer and researcher from Amman, Jordan. Her work focuses on spatial practices through cartography and film. She received a BA in Middle East, South Asian, and African Studies from Columbia University, and a MS in Critical, Curatorial, and Conceptual Practices in Architecture at Columbia GSAPP. She previously worked on projects at Columbia’s Center for Spatial Research and Studio-X Amman, as well as the MMAG Foundation, Amman. Read Yásnaya's work: "A modest proposal to save the world" // "The Map and the Territory" |
Tuesday, March 29, 2022
A Reading with Lucy Sante and Peter L'Official, Moderated by Hua Hsu
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:00 pm – 7:30 pm EDT/GMT-4 On Tuesday, March 29, at 6p.m., in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC), Lucy Sante and Peter L'Official will read from their work. Introduced by Bard faculty member Dinaw Mengestu, the two writers will be joined in conversation by Hua Hsu, a recent member of the Bard College Language and Literature faculty. Lucy Sante’s latest book, a collection of essays titled Maybe the People Would Be the Times, was published in 2020. Her next, Nineteen Reservoirs, will be published in 2022. Her books include The Other Paris, Folk Photography, Kill All Your Darlings: Pieces 1990–2005, and Low Life: Lures and Snares of Old New York. Her pieces have appeared in the New York Review of Books since 1981, as well as in the New York Times, Harper’s, Granta, The Village Voice, Artforum, Bookforum, Vogue, and many more. She is the recipient of a Whiting Writer’s Award, an Award in Literature from the American Academy of Arts and Letters, a Cultural Award from the Belgian-American Chamber of Commerce, a Grammy (for album notes), an American Scholar Award for Best Literary Criticism, an Infinity Award from the International Center of Photography, and Guggenheim and Cullman Fellowships. She has taught at Bard since 1999. Peter L'Official has published articles and reviews in Grantland, Los Angeles Review of Books, Atlantic Monthly, Village Voice, and GQ, among others, on such subjects as sports gaming environments, conceptual artist Glenn Ligon, and the not-so secret history of Hunter Thompson’s The Rum Diary. His book, Urban Legends: The South Bronx in Representation and Ruin, was published in 2020. He is the recipient of numerous research grants and Derek Bok certificates of distinction in teaching from Harvard, where he previously taught as a fellow at the Charles Warren Center for Studies in American History. He has taught at Bard since 2015. Hua Hsu is the author of A Floating Chinaman: Fantasy and Failure Across the Pacific and the forthcoming memoir Stay True. Hsu is a staff writer at The New Yorker, and currently serves on the boards of the Asian American Writers’ Workshop and Critical Minded, an initiative to support cultural critics of color. |
Thursday, March 17, 2022
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:00 pm – 7:30 pm EDT/GMT-4
On Thursday, March 17, at 6 pm in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC), poets Joan Retallack and Erica Kaufman will read from their work, introduced by Rebecca Cole Heinowitz and followed with a discussion moderated by Ann Lauterbach. Joan Retallack's most recent poetry publication is BOSCH'D—Fables, Moral Tales & Other Awkward Constructions (2020). Her Procedural Elegies / Western Civ Cont’d was an Artforum Best Book of 2010. She is also the author of numerous critical studies, including The Poethical Wager, the introduction to the new Yale edition of Gertrude Stein’s Stanzas in Meditation, Gertrude Stein: Selections, Poetry & Pedagogy—the Challenge of the Contemporary (with Juliana Spahr), and MUSICAGE: John Cage in Conversation with Joan Retallack, which won the America Award in Belles-Lettres. Erica Kaufman, director of the Institute for Writing and Thinking, specializes in composition and rhetoric and contemporary American poetry. She is the author of three books of poetry: POST CLASSIC, INSTANT CLASSIC, and censory impulse. |
Monday, March 14, 2022
Olin Humanities, Room 102 5:00 pm – 6:30 pm EDT/GMT-4
On Monday, March 14, join Gina Apostol for a reading from her novel Bibliolepsy, followed by a conversation with the writer. Gina Apostol's fourth novel, Insurrecto, was named by Publishers’ Weekly one of the Ten Best Books of 2018. Her third book, Gun Dealers’ Daughter, won the 2013 PEN/Open Book Award. Her first two novels, Bibliolepsy and The Revolution According to Raymundo Mata, both won the Juan Laya Prize for the Novel (Philippine National Book Award). Her essays and stories have appeared in the New York Times, the Los Angeles Review of Books, Foreign Policy, and others. She lives in New York City and western Massachusetts, and grew up in Tacloban, Leyte, in the Philippines. Her next novel, La Tercera, is out from Soho Press in 2023. She teaches at the Fieldston School in New York City. This event is part of the Asian Diasporic Initiative Speaker Series. Download: Bibliolepsy Excerpt.pdf |
Monday, March 7, 2022
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:00 pm – 7:30 pm EST/GMT-5
Join the Written Arts Program for a reading with writer Julia McKenzie Munemo, Bard class of '97, introduced by Bard faculty member Melanie Nicholson. Julia McKenzie Munemo completed a bachelor’s degree at Bard College and a master’s in education at Harvard. She worked in educational publishing for almost two decades before earning an MFA in creative nonfiction from the Stonecoast Program at the University of Southern Maine. Her first book, The Book Keeper: A Memoir of Race, Love, and Legacy, was published in 2020. She currently works as the director of the Williams College Writing Center and teaches an undergraduate nonfiction workshop, “The Personal is Political,” during Williams’ Winter Study Program. She lives with her family in western Massachusetts. Julia's books are now available for purchase in the Bard bookstore. Download: Julia Munemo Excerpt.pdf |
Monday, February 21, 2022
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:00 pm – 7:30 pm EST/GMT-5
The Written Arts program will be holding a moderation Q&A in RKC 103. Students intending to moderate into the Written Arts will have the opportunity to speak with faculty about the Moderation process and specific Written Arts requirements. Students intending to moderate into Written Arts this semester are required to attend this event. Those who are unable to attend are asked to please notify the program coordinator ([email protected]) in advance. |
Monday, February 7, 2022
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:00 pm – 7:30 pm EST/GMT-5
Join the Written Arts Program and Center for Experimental Humanities for a reading with writer Rone Shavers, followed by a conversation with Bard College faculty member and MacArthur Fellow, Dinaw Mengestu. Rone Shavers is author of the experimental Afrofuturist novel Silverfish (Clash Books 2020), recently named a finalist for the CLMP Firecracker Award in fiction and a “Best Book of 2020” by the Brooklyn Rail. His work has appeared in numerous journals, including Another Chicago Magazine, Big Other, Black Warrior Review, Identity Theory, PANK, and the Operating System. He has been awarded writer-in-residence fellowships to the Callaloo Creative Writing Workshops, the Constance Saltonstall Foundation for the Arts, the MacDowell Colony, the Ragdale Arts Foundation, the Virginia Center for the Creative Arts, and several other locales. He teaches courses in fiction and contemporary literature at the College of Saint Rose in Albany, New York. |
Friday, January 21, 2022
An evening with Anelise Chen, Shelley Jackson, Arthur Sze, Tracie Morris, and Charles Bernstein
Online Event 8:00 pm – 9:00 pm EST/GMT-5 Please join us for the online launch of Conjunctions:77, States of Play! Hosted by Elliott Bay Book Company, the evening will feature readings by Anelise Chen, Shelley Jackson, Arthur Sze, and Tracie Morris and Charles Bernstein, with an introduction by Contributing Editor Brian Evenson. Click here to register! Featured Authors Charles Bernstein is the author of Topsy-Turvy and Pitch of Poetry (both University of Chicago Press). In 2019, he was awarded the prestigious Bollingen Prize for Poetry. With Tracie Morris, Bernstein co-edited Best American Experimental Writing 2016 (Wesleyan University Press). Anelise Chen's first book, So Many Olympic Exertions, came out with Kaya Press in 2017. She teaches writing at Columbia University. Brian Evenson (Contributing Editor) is the author of over a dozen books of fiction, most recently the story collection The Glassy Burning Floor of Hell (Coffee House Press). His work has won the World Fantasy and Shirley Jackson Awards, and he has been a finalist for the Edgar Award and the Ray Bradbury Award. Shelley Jackson is the author of Riddance (Black Balloon), Half Life (HarperCollins), The Melancholy of Anatomy (Anchor), hypertexts including Patchwork Girl (Eastgate Systems), and several children’s books, including The Old Woman and the Wave (DK) and Mimi’s Dada Catifesto (Clarion Books). She is known for her cross-genre experiments, most notably SKIN, a story published in tattoos on 2,095 volunteers. Tracie Morris's recent books include the forthcoming titles handholding: on the other hand (Kore Press), human/nature poems (Litmus Press), Who Do With Words (expanded edition, Chax Press) and Hard Korè: Poems of Mythos and Place (Joca Seria Press). Arthur Sze received the 2021 Shelley Memorial Award from the Poetry Society of America. His newest book is The Glass Constellation: New and Collected Poems (Copper Canyon). About the Issue Published by Bard College in fall 2021, this kaleidoscopic issue on games, gambles, and gambits features new fiction, poetry, essays, and cross-genre work by Ranjit Hoskote, Joanna Scott, Shelley Jackson, John Darcy, Heather Altfeld, James Morrow, Kyoko Mori, Charles Bernstein& Tracie Morris, Catherine Imbriglio, Pierre Reverdy, David Shields, Robin Hemley, Joyce Carol Oates, Nathaniel Mackey, Anelise Chen, S.P. Tenhoff, Lowry Pressly, Cole Swensen, Rae Armantrout, Lucas Southworth, Kelsey Peterson, Arthur Sze, John Dimitroff, Alyssa Pelish, Nam Le, Tim Raymond, Justin Noga, Kate Colby, and Brian Evenson. |