The Written Arts Program
encourages students to experiment with their own writing in a context sensitive to intellectual, historical, and social realities, and the past and current literary landscapes. Students are encouraged to consider how their writing is and can be an act of critical and creative engagement, a way of interrogating and translating the world around us. It is expected that Written Arts students are also passionate readers.Why I Chose Bard Written Arts
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Alex BeattyBorn and raised in St. Petersburg, Florida, Alex Beatty decided on Bard after visiting a literature class taught by Professor Marina Van Zuylen. Once at Bard, he chose to moderate into Written Arts. “I wanted to have the opportunity to focus on my own creative projects.”
Alex Beatty
Born and raised in St. Petersburg, Florida, Alex Beatty decided on Bard after visiting a literature class taught by Professor Marina Van Zuylen. Once at Bard, he chose to moderate into Written Arts. “I wanted to have the opportunity to focus on my own creative projects.”
After spending the second semester of his first year at Bard College Berlin, he became a double major in Written Arts and German Studies. For his German Studies Senior Project, Alex translated Der Stein von Werder [The Stone of Werder], a novella by the Baltic-German animal behaviorist Jakob von Uexküll. In it, three sisters attempt to uncover the meaning of a semilegible stone inscription. “I was drawn to The Stone by Uexküll’s use of narrative to explain his theory of meaning,” says Alex, “which also figured into my creative Senior Project, Pistacia Atlantica, a novel about stories written in the margins of old books.”
Of translation, Alex says: “As a learning experience, a creative challenge, and a valued service, translation work has allowed me to continue pursuing my interests since graduating Bard while also helping me to grow as a writer. It has also given me the opportunity to travel, last year to Uexküll’s archives in Tartu, Estonia, and later this year to Perth, Australia, where I’ll be presenting my research on Uexküll and his literary legacy.” It has given him the opportunity to translate contemporaries of Uexküll, such as Heine Hediger, whose research on the dreams of animals has been neglected by translators in the past. Alex has also been working with the writer Rivka Galchen, for whom he’s translating testimonies from the 17th-century witch trial of Katharina Kepler.
Alex also works as an administrative assistant at The Robert B. Silvers Foundation, a nonprofit organization established by the late editor of the New York Review of Books to support writers in the fields of reportage and criticism. “It’s had a profound impact on how I think of writing as a career,” Alex says. “Silvers’s legendary work ethic and passion for nuanced writing and the writers with whom I correspond in my capacity as an administrative assistant have been a daily inspiration for me to continue writing. I have never been sure exactly how writing will fit into my future, because it has taken so many unexpected forms since I decided to make it a career, but I look forward to pursuing new opportunities and continuing my projects in fiction, nonfiction, and translation.” -
Julie JaremaJulie Jarema transferred to Bard from NYU, drawn by its flexible curriculum and eclectic community. She arrived intending to take a critical approach to the study of literature, but a fiction workshop with Porochista Khakpour drew her to Written Arts.
Julie Jarema
Julie Jarema transferred to Bard from NYU, drawn by its flexible curriculum and eclectic community. She arrived intending to take a critical approach to the study of literature, but a fiction workshop with Porochista Khakpour drew her to Written Arts.
Julie explains, “I’ve always enjoyed writing and illustrating stories, primarily for children. However, my Senior Project pushed me toward approaching writing in a more absurd, experimental way and taught me that writing for an older audience doesn’t mean that the writing has to lose its playfulness.”
Julie’s project, “The Museum,” is a novel about a rootless girl whose employer, a reclusive author and the owner of an obscure museum, sends her on a scavenger hunt through Manhattan to gather artifacts for a new exhibition. As Mia’s quest draws her into spiraling mysteries of identity and artifact, the roles of the author and the reader become increasingly entangled.
At Bard, Julie’s interests also drew her to French, comparative literature, and the experimental humanities. In addition, during her undergraduate years she served as an editorial assistant at Bard’s literary journal Conjunctions, as an intern with Miriam Altshuler at the literary agency DeFiore & Co., and as a children’s marketing and publicity intern with Simon & Schuster. The last of these led to Simon & Schuster taking her on full-time as a children’s books associate immediately upon her graduation in 2016.
Spotlight on Our Faculty
The Written Arts Program is staffed by distinguished writers of poetry, fiction, and nonfiction who emphasize both innovative, experimental work and work that foregrounds the conventions of writing.
Written Arts Faculty Reading Series
From 2020
Upcoming Events
- 9/13Friday10:15 am – 1:00 pm EDT/GMT-4 Campus Center, Weis Cinema
Friday, September 13, 2024
A Workshop with Ama Codjoe
Campus Center, Weis Cinema 10:15 am – 1:00 pm EDT/GMT-4
In this generative workshop, participants will discuss ekphrastic writing: writing about art. Together we will engage in close reading and close looking. Workshop attendees will leave with a draft of a poem and with prompts for further and future writing. No prior writing experience is needed. Please come prepared to write longhand.
This workshop will be broken into two sessions: from 10:15–11:30 am, and then from 12:00–1:00 pm.
Ama Codjoe is the author of Bluest Nude, winner of the Lenore Marshall Poetry Prize, and finalist for the NAACP Image Award for Outstanding Poetry, the Kate Tufts Discovery Award, and the Paterson Poetry Prize. She is also the author of Blood of the Air, winner of the Drinking Gourd Chapbook Poetry Prize. Among other honors, Codjoe has received fellowships from the Rona Jaffe Foundation, the National Endowment for the Arts, the Bronx Council on the Arts, the New York State Council/New York Foundation of the Arts, and the Jerome Foundation. In 2023, Codjoe was appointed as the second Poet-in-Residence at the Guggenheim Museum. She is the winner of a 2023 Whiting Award and a recipient of a 2024 Arts and Letters Award in Literature from the American Academy of Arts and Letters.
Read more about Ama Codjoe's work here. - 9/17Tuesday5:30 pm EDT/GMT-4 Shafer House
Tuesday, September 17, 2024
Shafer House 5:30 pm EDT/GMT-4
The Written Arts Program welcomes any and all interested students to an open house in Shafer House. Members of the faculty will be in attendance to answer any specific questions you may have, or to talk with you generally about workshops, Moderation, and Senior Projects. Enjoy the waterfall and have some refreshments as you chat with other student writers about their experiences in the program.
Shafer House (9 Cedar Hill Road) is located at the Annandale Triangle on south campus. - 10/21Monday4:00 pm – 5:00 pm EDT/GMT-4 Chapel of the Holy Innocents
Monday, October 21, 2024
The internationally renowned writer will read from her work.
Chapel of the Holy Innocents 4:00 pm – 5:00 pm EDT/GMT-4
Internationally renowned writer Joyce Carol Oates will give a reading at Bard College on Monday, October 21 at 4:00 p.m. in the Chapel of the Holy Innocents. Oates is a recipient of the National Humanities Medal, the National Book Critics Circle Ivan Sandrof Life Achievement Award, the National Book Award, the Jerusalem Prize for Lifetime Achievement, the Prix Femina, the PEN/Malamud Award for Excellence in the Art of the Short Story, and the Cino Del Duca World Prize, among many other honors. She has written some of the most enduring fiction of our time, including the national best sellers We Were the Mulvaneys, Blonde, and the New York Times best seller The Falls.
The reading, which is being presented as part of Bradford Morrow’s course on innovative contemporary fiction, is free and open to the public. With Morrow, Oates is co-editing Conjunctions:83, Revenants, The Ghost Issue, which will be published in November.
Praise for Joyce Carol Oates
“It’s hard to think of another writer with as fecund and protean an imagination . . . who is surely on any shortlist of America’s greatest living writers.” —The New York Times Magazine
“Her short stories—she has won more Pushcart Prizes than any other writer—feel perfect, like tight circles around a kind of unspoken abyss.” —The New Yorker