Bard College Professor Jenny Xie Selected for 2026 Howard Foundation Fellowship
Xie’s fellowship in the category of Poetry is one of 14 fellowships awarded by the foundation this year.
Bard College Professor Jenny Xie Selected for 2026 Howard Foundation Fellowship
Jenny Xie, assistant professor of written arts.
Jenny Xie, assistant professor of written arts at Bard College, has been announced as a recipient of a Howard Foundation Fellowship for 2026-27. Xie’s fellowship in the category of Poetry, conferred by the George A. and Eliza Gardner Howard Foundation, is one of 14 fellowships awarded by the foundation this year, which support independent creative and scholarly work on major projects by early mid-career individuals who have demonstrated potential to be future leaders in their fields.
During her fellowship, Xie will receive $40,000 in unrestricted funds to devote her time to researching, developing, and writing her third poetry collection, Dead Time,which delves into forms of directionless time, or time untroubled by plot and by imperatives of action. Xieis the author of two other collections of poetry. Eye Level (2018) was a finalist for the National Book Award, and the recipient of the Walt Whitman Award of the Academy of American Poets and the Holmes National Poetry Prize from Princeton University. The Rupture Tense (2022)was a finalist for the National Book Award and the CLMP Firecracker Award, and a recipient of the PEN Oakland Josephine Miles Award. Xie has also been supported by fellowships and grants from Civitella Ranieri Foundation, Bread Loaf Writers’ Conference, Kundiman, New York Foundation for the Arts, the Vilcek Foundation, and the Jerome Foundation.
The Howard Foundation is an independent agency administered at Brown University. Established in 1954, it awards annual, unrestricted fellowships to promising individuals in selected artistic and academic fields. Past fellows have authored bestsellers, directed Oscar nominated feature-length films, and earned some of the world’s most prestigious honors including Pulitzer Prizes, the Rome Prize, and the Whiting Award. For more information, visit howard-foundation.brown.edu.
Post Date: 06-04-2026
Jenny Offill Receives Dora Maar House Residency
The residency is awarded to outstanding arts and humanities professionals.
Jenny Offill Receives Dora Maar House Residency
Jenny Offill, writer in residence.
Jenny Offill, writer in residence at Bard College, has been awarded a residency at Dora Maar House in France. Offill, who will begin her residence in June, has authored three novels, Last Things, Dept. of Speculation (which was shortlisted for the Folio Prize and the International Dublin Literary Award), and Weather (shortlisted for the Women’s Fiction Prize and the Grand Prix de Littérature Américaine). The residency is awarded to outstanding arts and humanities professionals and provides them with an opportunity to reside at the Dora Maar 18th-century mansion to focus on creative aspects of their work.
The Written Arts Program at Bard encourages students to experiment with their writing in a context sensitive to intellectual, historical, and social realities. Students are encouraged to consider writing as an act of critical and creative engagement, a way of interrogating and translating the world.
New Book by Bard Writer in Residence Benjamin Hale Featured in Chronogram
“The story really only works as nonfiction,” he told Chronogram. “It’s so weird it wouldn’t be believable as a novel.”
New Book by Bard Writer in Residence Benjamin Hale Featured in Chronogram
Benjamin Hale, writer in residence. Photo by Rachel Collet
Benjamin Hale, writer in residence at Bard College, was highlighted in an article in Chronogram about his new nonfiction book, Cave Mountain: A Disappearance and a Reckoning in the Ozarks, which covers his cousin’s 2001 disappearance in the Arkansas wilderness at the age of 6. “At first glance, Cave Mountain reads like true crime,” writes Brian K. Mahoney. “A child disappears. A massive search ensues. The wilderness becomes a stage for suspense and survival. Yet Hale’s narrative quickly veers into stranger territory,” as Hale uncovers a darker history surrounding the mountain where his cousin was lost, which had been the site of a cult-related murder of a child decades before. Hale considered adapting the story into a fictional work before concluding that “the story really only works as nonfiction,” he told Chronogram. “It’s so weird it wouldn’t be believable as a novel.”
Hale will discuss the book in conversation with Ryan Chapman at Oblong Books in Rhinebeck on March 12 at 6 pm.