The Written Arts Program
encourages students to experiment with their own writing in a context sensitive to intellectual, historical, and social realities, and the past and current literary landscapes. Students are encouraged to consider how their writing is and can be an act of critical and creative engagement, a way of interrogating and translating the world around us. It is expected that Written Arts students are also passionate readers.Why I Chose Bard Written Arts
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Alex BeattyBorn and raised in St. Petersburg, Florida, Alex Beatty decided on Bard after visiting a literature class taught by Professor Marina Van Zuylen. Once at Bard, he chose to moderate into Written Arts. “I wanted to have the opportunity to focus on my own creative projects.”
Alex Beatty
Born and raised in St. Petersburg, Florida, Alex Beatty decided on Bard after visiting a literature class taught by Professor Marina Van Zuylen. Once at Bard, he chose to moderate into Written Arts. “I wanted to have the opportunity to focus on my own creative projects.”
After spending the second semester of his first year at Bard College Berlin, he became a double major in Written Arts and German Studies. For his German Studies Senior Project, Alex translated Der Stein von Werder [The Stone of Werder], a novella by the Baltic-German animal behaviorist Jakob von Uexküll. In it, three sisters attempt to uncover the meaning of a semilegible stone inscription. “I was drawn to The Stone by Uexküll’s use of narrative to explain his theory of meaning,” says Alex, “which also figured into my creative Senior Project, Pistacia Atlantica, a novel about stories written in the margins of old books.”
Of translation, Alex says: “As a learning experience, a creative challenge, and a valued service, translation work has allowed me to continue pursuing my interests since graduating Bard while also helping me to grow as a writer. It has also given me the opportunity to travel, last year to Uexküll’s archives in Tartu, Estonia, and later this year to Perth, Australia, where I’ll be presenting my research on Uexküll and his literary legacy.” It has given him the opportunity to translate contemporaries of Uexküll, such as Heine Hediger, whose research on the dreams of animals has been neglected by translators in the past. Alex has also been working with the writer Rivka Galchen, for whom he’s translating testimonies from the 17th-century witch trial of Katharina Kepler.
Alex also works as an administrative assistant at The Robert B. Silvers Foundation, a nonprofit organization established by the late editor of the New York Review of Books to support writers in the fields of reportage and criticism. “It’s had a profound impact on how I think of writing as a career,” Alex says. “Silvers’s legendary work ethic and passion for nuanced writing and the writers with whom I correspond in my capacity as an administrative assistant have been a daily inspiration for me to continue writing. I have never been sure exactly how writing will fit into my future, because it has taken so many unexpected forms since I decided to make it a career, but I look forward to pursuing new opportunities and continuing my projects in fiction, nonfiction, and translation.” -
Julie JaremaJulie Jarema transferred to Bard from NYU, drawn by its flexible curriculum and eclectic community. She arrived intending to take a critical approach to the study of literature, but a fiction workshop with Porochista Khakpour drew her to Written Arts.
Julie Jarema
Julie Jarema transferred to Bard from NYU, drawn by its flexible curriculum and eclectic community. She arrived intending to take a critical approach to the study of literature, but a fiction workshop with Porochista Khakpour drew her to Written Arts.
Julie explains, “I’ve always enjoyed writing and illustrating stories, primarily for children. However, my Senior Project pushed me toward approaching writing in a more absurd, experimental way and taught me that writing for an older audience doesn’t mean that the writing has to lose its playfulness.”
Julie’s project, “The Museum,” is a novel about a rootless girl whose employer, a reclusive author and the owner of an obscure museum, sends her on a scavenger hunt through Manhattan to gather artifacts for a new exhibition. As Mia’s quest draws her into spiraling mysteries of identity and artifact, the roles of the author and the reader become increasingly entangled.
At Bard, Julie’s interests also drew her to French, comparative literature, and the experimental humanities. In addition, during her undergraduate years she served as an editorial assistant at Bard’s literary journal Conjunctions, as an intern with Miriam Altshuler at the literary agency DeFiore & Co., and as a children’s marketing and publicity intern with Simon & Schuster. The last of these led to Simon & Schuster taking her on full-time as a children’s books associate immediately upon her graduation in 2016.
Spotlight on Our Faculty
The Written Arts Program is staffed by distinguished writers of poetry, fiction, and nonfiction who emphasize both innovative, experimental work and work that foregrounds the conventions of writing.
Written Arts Faculty Reading Series
From 2020
Upcoming Events
- 3/26Wednesday1:30 pm – 2:30 pm EDT/GMT-4 Albee; Annex Basement (La Voz Magazine on google Maps)
- 3/31Monday4:00 pm – 5:00 pm EDT/GMT-4 Campus Center, Weis Cinema
Monday, March 31, 2025
Campus Center, Weis Cinema 4:00 pm – 5:00 pm EDT/GMT-4
Award-winning author Rick Moody will give a reading on Monday, March 31, at 4 pm in Weis Cinema at Bard College. This event, which is cosponsored by the literary magazine Conjunctions, will be the final event in Bradford Morrow’s Innovative Contemporary Fiction Reading Series and is free and open to the public. A Q&A will follow the talk.
Rick Moody is the author of six novels, three collections of stories, and three works of nonfiction, including an essay collection about music. His most recent novel Hotels of North America is told through a sequence of online reviews and in 2015 was named a best book of the year by NPR and the Washington Post. Moody has received the Addison Metcalf Award from the American Academy of Arts and Letters, the Paris Review Aga Khan Prize, and a Guggenheim Fellowship, and his work has been anthologized in Best American Stories, Best American Essays, and the Pushcart Prize anthology. He lives in Brooklyn, NY, and is a prolific contributor to Conjunctions, where he has been published twenty-six times. - 3/31Monday5:30 pm EDT/GMT-4 Reem-Kayden Center Laszlo Z. Bito '60 Auditorium
Monday, March 31, 2025
A Reading and Conversation with Amitava Kumar
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 5:30 pm EDT/GMT-4
Amitava Kumar will discuss and read from his work. Introduced and moderated by John D. and Catherine T. MacArthur Professor of the Humanities and director of the Written Arts Program Dinaw Mengestu, this event is free and open to the public.
Amitava Kumar is the author of several books of nonfiction and four novels. His novel Immigrant, Montana was on the best of the year lists at The New Yorker, The New York Times, and President Obama’s list of favorite books of 2018. His latest novel, My Beloved Life, was described by James Wood in The New Yorker as “beautiful, truthful fiction.” Kumar's work has appeared in Granta, The New Yorker, The New York Times, Harper’s, BRICK, Guernica, The Nation and several other publications. He has been awarded a Guggenheim fellowship and a Cullman Center fellowship at the New York Public Library.