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Bard College Student Samantha Barrett ’26 Wins 2025 PEN/Robert J Dau Short Story Prize

Written arts major Samantha Barrett ’26 has won the 2025 PEN/Robert J. Dau Short Story Prize for Emerging Writers for her story “Invert.” This award recognizes 12 emerging writers each year for their debut short story published in a literary magazine, journal, or cultural website, and aims to support the launch of their careers as fiction writers. Each winner receives a $2,000 cash prize and is published by Catapult in their annual anthology, Best Debut Short Stories: The PEN America Dau Prize.

Bard College Student Samantha Barrett ’26 Wins 2025 PEN/Robert J Dau Short Story Prize

Bard written arts major Samantha Barrett ’26 has won the 2025 PEN/Robert J. Dau Short Story Prize for Emerging Writers. This award recognizes 12 emerging writers each year for their debut short story published in a literary magazine, journal, or cultural website, and aims to support the launch of their careers as fiction writers. Chosen for originality, craft, and pushing the boundaries of the genre, each winner receives a $2,000 cash prize and is published by Catapult in their annual anthology, Best Debut Short Stories: The PEN America Dau Prize. This year’s judges—Lydi Conklin, Dionne Irving, Brenda Peynado—selected the winning stories from a range of dynamic literary publications. 

Barrett’s prize-winning story “Invert” was published by Foglifter Journal, issue 9.1 (2024) and nominated by the journal’s editors for the PEN award. Barrett will attend the 61st annual PEN America Literary Awards Ceremony on May 8 in New York City, where over 20 distinct awards, fellowships, grants, prizes, and nearly $350,000 will be conferred to writers and translators.

“I'm deeply honored to receive this award, and incredibly excited to attend this ceremony along with some of the most promising up-and-coming writers of today,” said Barrett.

The PEN/Robert J. Dau Short Story Prize for Emerging Writers is generously supported by the family of the late Robert J. Dau, whose commitment to the literary arts made him a fitting namesake for this career-launching prize. Before his death, Robert J. Dau, a lifelong Michigan resident, requested that a prize be established to promote budding writers. He knew that Ernest Hemingway spent summers with his family in northern Michigan and was a contemporary of Dau’s mother. Hemingway spent a winter writing in Dau’s hometown of Petoskey, and Robert loved Hemingway’s connection to his hometown. He also loved that Hemingway wrote his Nick Adams stories about places he knew personally. Dau’s admiration for Hemingway resulted in the creation of the PEN/Robert J. Dau Short Story Prize for Emerging Writers.
Read more at PEN

Post Date: 05-06-2025

NYT Opinion: “This Is How Universities Can Escape Trump’s Trap, If They Dare,” Writes M. Gessen

In an opinion piece for the New York Times, M. Gessen, distinguished visiting writer at Bard, asserts that the way universities can fight against the Trump administration’s attacks is to abandon concerns of rankings, endowment building, and campus amenities to “focus on their core mission: the production and dissemination of knowledge.” Gessen spoke to Bard College President Leon Botstein because he “has long practiced the approach I am advocating.”

NYT Opinion: “This Is How Universities Can Escape Trump’s Trap, If They Dare,” Writes M. Gessen

In an opinion piece for the New York Times, M. Gessen, distinguished visiting writer at Bard, asserts that the way universities can fight against the Trump administration’s attacks is to abandon concerns of rankings, endowment building, and campus amenities to “focus on their core mission: the production and dissemination of knowledge.” Gessen spoke to Bard College President Leon Botstein because he “has long practiced the approach I am advocating” and “seems to respond to every crisis by figuring out ways to teach more people”—citing the Bard Prison Initiative, Bard Early Colleges, and Bard Microcolleges as some examples of the College’s mission-driven expansion of higher education beyond traditional pathways. Botstein believes universities are essential to democracy as “portals to tolerance and the expression of fundamental equality of all human beings.” Gessen challenges other universities to: “Act like universities, not like businesses. Spend your endowments. Accept more, not fewer students. Open up your campuses and expand your reach not by buying real estate but by bringing education to communities. Create a base. Become a movement.”
Read in New York Times

Post Date: 04-14-2025

Poetry Collection by Juliana Spahr ’88 Featured in the Washington Post

Christopher Kondrich included Spahr’s most recent collection, Ars Poeticas, in a list of four books of poetry that “help restore nuance to our chaotic world.” Kondrich describes Ars Poeticas as a collection about poetry’s ability to respond to social and environmental crises.

Poetry Collection by Juliana Spahr ’88 Featured in the Washington Post

A new book of poetry by alumna Juliana Spahr ’88 was featured in the Washington Post. Christopher Kondrich included Spahr’s most recent collection, Ars Poeticas, in a list of four books of poetry that “help restore nuance to our chaotic world.” Kondrich describes Ars Poeticas as a collection about poetry’s ability to respond to social and environmental crises. “We can’t help but wonder what poetry could ever add to the efforts to address [issues like] climate change and right-wing populism. With Ars Poeticas, the answer, despite Spahr’s reservations, is a tremendous amount.” Spahr has published nine books of poetry, the first in 1994. She was the recipient of the OB Hardison Poetry Prize from the Folger Shakespeare Library in 2009.
Read the Feature

Post Date: 04-01-2025
More News
  • Joseph O’Neill Interviewed by the New York Review of Books on the State of US Democracy

    Joseph O’Neill Interviewed by the New York Review of Books on the State of US Democracy

    Daniel Drake interviewed Distinguished Visiting Professor of Written Arts Joseph O’Neill for the New York Review of Books, speaking to O’Neill about his assessment of the state of authoritarianism and resistance in the United States. “The end of the rule of law does not mean that we automatically find ourselves in an authoritarian society,” O’Neill said, but cautioned Democrats against being “distracted by the past.” “The (dubious) strategies hatched by their consultants in response to Trump’s win—‘talk about egg prices,’ ‘work with Republicans,’ and so on—make even less sense than usual,” O’Neill said. “New strategies, new faces, and a new level of adversarial exertion will be required.”
    Read More in the New York Review of Books

    Post Date: 03-25-2025
  • Opinion: “Putin Is Ready to Carve Up the World” Writes M. Gessen for the New York Times

    Opinion: “Putin Is Ready to Carve Up the World” Writes M. Gessen for the New York Times

    In an opinion piece for the New York Times published on the same day Zelensky’s Oval Office meeting with Trump and Vance collapsed, Distinguished Visiting Writer M. Gessen wrote, “Putin has wanted to carve the globe up for a long time. Now, at last, Trump is handing him the knife.” As a Russian exile, Gessen asserts that Putin’s “negotiations with President Trump about Ukraine are not just about Ukraine. Putin wants nothing less than to reorganize the world, the way Joseph Stalin did with the accords he reached with Franklin D. Roosevelt and Winston Churchill in the Crimean city of Yalta in February 1945.” Although what will happen now in Ukraine is uncertain, Gessen predicts if Russia moves to unleash its aggression against Europe, it will not look like “the bipolar world of the second half of the 20th century” or like “the world in which we have been living and in which the populations of most of the world’s wealthy countries have felt safe.”
    Read in the New York Times

    Post Date: 03-04-2025
  • Dinaw Mengestu Interviewed in World Literature Today

    Dinaw Mengestu Interviewed in World Literature Today

    Dinaw Mengestu, John D. and Catherine T. MacArthur Professor of the Humanities and director of the Written Arts Program at Bard College, was interviewed in World Literature Today about his latest novel, Someone Like Us. “In this brilliant novel, both mystery and meditation, Mengestu challenges that dominant narrative with a multiplicity of stories which make it impossible for us to look away,” writes Renee H. Shea for World Literature Today. Mengestu spoke with Shea about how questions of ethics and representation appear in his work, how photographs taken by his wife appear throughout the text to offer another narrative within the novel, and how he approaches physical and geographical movement of his characters across time, place, continent, and cultures. “The novel is not just about seeing that community in one moment in time but over the course of an entire generation,” Mengestu said. “Looking more deeply into that world is the heart of this story, and in many ways this is the community that I wanted to reach out to the most.”
     
    Read the Full Interview with Dinaw Mengestu

    Post Date: 02-25-2025
  • Dinaw Mengestu’s Someone Like Us Named One of Obama’s Favorite Books of 2024

    Dinaw Mengestu’s Someone Like Us Named One of Obama’s Favorite Books of 2024

    The latest book by Dinaw Mengestu, John D. and Catherine T. MacArthur Professor of the Humanities and director of the Written Arts Program at Bard College, has been featured on a list of art that inspired former president Barack Obama in 2024. Mengestu’s novel, Someone Like Us, tells the story of the son of Ethiopian immigrants who seeks to understand a hidden family history and uncovers a past colored by unexpected loss, addiction, and the enduring emotional pull toward home. In exploring this history, he begins to understand that perhaps the only chance he has of saving his family and making it back home is to confront not only the unresolved mystery around his father’s life and death, but his own troubled memories, and the years spent masking them.
    Obama's Favorite Films, Books, and Music of 2024

    Post Date: 01-06-2025
  • Annual Bard Fiction Prize Is Awarded to Maya Binyam

    Annual Bard Fiction Prize Is Awarded to Maya Binyam

    Author Maya Binyam has received the Bard Fiction Prize for her first novel, Hangman (Farrar, Straus and Giroux, 2023). Binyam’s residency at Bard College is for the fall 2025 semester, during which time she will continue her writing and meet informally with students. Binyam will give a public reading at Bard during her residency.

    The Bard Fiction Prize committee writes: “Maya Binyam’s novel Hangman intrigues from its opening sentence as it builds a mysterious Beckettesque world of dark comic disorientation, never allowing the reader to grow complacent as it explores the essence of belonging and displacement. Cain’s infamous question to God in Genesis echoes in the reader’s mind as we watch Binyam’s unnamed narrator strive to be his brother’s finder, encountering innumerable obstacles in his once-familiar homeland. This existential quest makes us rebuild our assumptions from the ground up: what is a refugee? What is a family? How do we find our way home? Binyam builds a universe of alluring elusivity with consummate authority.”

    “I’m honored and overjoyed to have been read so generously by the judges of the Bard Fiction Prize,” said Binyam. “Novel writing, for me, is fundamentally mysterious, strange, and almost impossible. This recognition makes it feel more possible, and inevitable, too. I’m very excited to join Bard’s literary community in the fall, and am beyond grateful for the opportunity to work on my second novel alongside its students and faculty. Knowing I’ll have this time to write is a dream.”

    Maya Binyam’s novel Hangman, which was named a 2024 National Book Foundation “5 under 35” honoree, received the Rosenthal Family Foundation Award from the American Academy of Arts and Letters, and was longlisted for the Women’s Prize and Mark Twain American Voice in Literature Award. Her work has appeared in the Paris Review, the New Yorker, Best American Short Stories, and elsewhere. She is currently a Visiting Lecturer in Literature at Claremont McKenna College. She lives in Los Angeles.

    The creation of the Bard Fiction Prize, presented each October since 2001, continues Bard’s long-standing position as a center for creative, groundbreaking literary work by both faculty and students. From Saul Bellow, William Gaddis, Mary McCarthy, and Ralph Ellison to John Ashbery, Philip Roth, William Weaver, and Chinua Achebe, Bard’s literature faculty, past and present, represents some of the most important writers of our time. The prize is intended to encourage and support young writers of fiction, and provide them with an opportunity to work in a fertile intellectual environment. The 2024 Bard Fiction Prize was awarded to Zain Khalid for his first novel, Brother Alive (Grove Press 2022).
    Read more on the Bard Fiction Prize website.

    Post Date: 10-14-2024
  • Internationally Renowned Writer Joyce Carol Oates Will Give a Reading at Bard College on October 21

    Internationally Renowned Writer Joyce Carol Oates Will Give a Reading at Bard College on October 21

    On Monday, October 21, at 4 pm, internationally renowned writer Joyce Carol Oates will give a reading at Bard College in the Chapel of the Holy Innocents. Oates is a recipient of the National Humanities Medal, the National Book Critics Circle Ivan Sandrof Life Achievement Award, the National Book Award, the Jerusalem Prize for Lifetime Achievement, the Prix Femina, the PEN/Malamud Award for Excellence in the Art of the Short Story, and the Cino Del Duca World Prize, among many other honors. She has written some of the most enduring fiction of our time, including the national best sellers We Were the Mulvaneys, Blonde, and the New York Times best seller The Falls.

    The reading, which is being presented as part of Bradford Morrow’s course on innovative contemporary fiction, is free and open to the public. With Morrow, Oates is co-editing Conjunctions:83, Revenants, The Ghost Issue, which will be published in November. Revenants will bring together fiction and poetry on the “unliving-living” by a wide array of esteemed writers, such as Margaret Atwood, Carmen Maria Machado, Ben Okri, Paul Tremblay, Stephen Graham Jones, Patricia Smith, Valerie Martin, Jonathan Carroll, Reggie Oliver, James Morrow, Can Xue, Brian Evenson, Paul Muldoon, and others.

    Joyce Carol Oates is the Roger S. Berlind ’52 Distinguished Professor of the Humanities Emerita at Princeton University and has been a member of The American Academy of Arts and Letters since 1978.

    Post Date: 09-24-2024

Written Arts Events

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2024

Monday, December 16, 2024
  Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:10 pm EST/GMT-5
Please join the Written Arts Program for its second night of senior readings! Written Arts seniors will be reading excerpts from their Senior Projects in fiction, poetry, narrative nonfiction, and hybrid forms. This event will be held in person in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC). All are welcome!

December 16th Readers
Lena Oldfield 
Zara Boss
Will Brumley
Fiona Flynn
Lucy Gunderson Klonsky
Alex Boyatt
Jaelyn Quilizapa
Miles Masters
Eli Ames
La’Ron Edwards 
Lydia Stauffer
Nayeli Sequeira Sungaroff
Roo Tarantino
Athena Bason
Lydia Schultz
Mathew Francoeur
Robbie Burgher
Jun Yokomizo-Mauldin
Foster Dowd
Miriam Schwartz 

Monday, December 9, 2024
  Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:10 pm EST/GMT-5
Please join the Written Arts Program for senior readings! Written Arts seniors will be reading excerpts from their Senior Projects in fiction, poetry, narrative nonfiction, and hybrid forms. This event will be held in person in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC).

December 9th Readers
Ros Werner Winslow
Chase Wayne-Duffy
Andrais Stetson
Noah Barbosa
Celia Shinn
Calvin Pineda
Elah Perelman
Lui Nehez
Amanda Montaldo
Ava Mitkevich
Sadie McCann
Lucia Lifland
Ronan Levi
Nathan Kagan
Alison Jobin
Lisbet Jackson
Sophie Dubber
Artemis Connor
Regina Cassese
Kiana Brizendine
Neil Bhatia
Ella Blood
Ariana Ahmed
Jean Abrahams


Tuesday, December 3, 2024
Bitó Conservatory Building, Performance Space  5:30 pm EST/GMT-5
On Tuesday, December 3, at 5:30pm, in the Bitó Conservatory Building Performance Space, poet Will Alexander will read from his work. Introduced by David and Ruth Schwab Professor of Languages and Literature Ann Lauterbach, this reading is free and open to the public.

This reading will take place one day after Will Alexander's Leslie Scalapino Lecture, Hyper-Spacial Rotation: Poetic Circular Deepening. This lecture will take place on December 2, at 6:30pm in RKC 103, for any who are interested. 

Born in 1948, Will Alexander is a poet, novelist, essayist, playwright, visual artist and pianist. He was the recipient of a Whiting Fellowship for Poetry in 2001 and a California Arts Council Fellowship in 2002. He was also the subject of a colloquium published in the prestigious African American cultural journal Callaloo in 1999. Author of 20 books (including Mirach Speaks To His Grammatical Transparents, Inside The Earthquake Palace: 4 Plays, Above The Human Nerve Domain, and Exobiology As Goddess), Alexander has taught at various colleges including University of California, San Diego, New College (San Francisco, CA), Hofstra University, and Jack Kerouac School of Disembodied Poetics, in addition to being associated with the nonprofit organization Theatre of Hearts/Youth First, serving at-risk youth. Alexander’s 2021 book, Refractive Africa, was a finalist for the 2022 Pulitzer Prize in Poetry and won the California Book Award in Poetry. He is a lifelong resident of Los Angeles. 

Ann Lauterbach is a poet and essayist. Her eleventh poetry collection, Door, was published in March 2023; previous volumes include Spell (2018), Under the Sign (2013), and Or to Begin Again (2009), which was nominated for a National Book Award. Her prose was collected in The Night Sky: Writings on the Poetics of Experience (2008) and The Given & The Chosen (2011). Among her awards are a Guggenheim Fellowship and a John D. and Catherine T. MacArthur Fellowship. She was cochair of writing in Bard’s MFA Program from 1992 to 2020 and is Ruth and David Schwab Professor of Languages and Literature.


Monday, December 2, 2024
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  6:30 pm – 8:00 pm EST/GMT-5
We are thrilled to announce that award-winning poet, novelist, essayist, playwright, visual artist, and pianist Will Alexander will give the 2024 Leslie Scalapino Lecture in Innovative Poetics at Bard College, titled "Hyper-Spacial Rotation: Poetic Circular Deepening." The first in a series of two events on campus featuring Will Alexander, this lecture is free and open to the public.

The Leslie Scalapino Lecture in Innovative Poetics is made possible by Tom White, E. Tracy Grinnell and the Estate of Leslie Scalapino.

Born in 1948, Will Alexander is a poet, novelist, essayist, playwright, visual artist and pianist. He was the recipient of a Whiting Fellowship for Poetry in 2001 and a California Arts Council Fellowship in 2002. Author of 20 books, Alexander has taught at various colleges including University of California, San Diego, New College (San Francisco, CA), Hofstra University, and Jack Kerouac School of Disembodied Poetics, in addition to being associated with the nonprofit organization Theatre of Hearts/Youth First, serving at-risk youth. Alexander’s 2021 book Refractive Africa was a finalist for the 2022 Pulitzer Prize in Poetry and won the California Book Award in Poetry. He is a lifelong resident of Los Angeles. 
 

Thursday, November 21, 2024
Chapel of the Holy Innocents  6:00 pm EST/GMT-5
On Thursday, November 21 at 6pm in the Chapel of the Holy Innocents, Visiting Instructor of Music and Written Arts Professor Franz Nicolay will read from his work. Followed by a discussion with chart analyst and pop critic Chris Molanphy, the reading is free and open to the student body. 

Franz Nicolay is a musician and writer living in New York’s Hudson Valley. In addition to records under his own name (“a natural-born star”—Pitchfork), he was a member of cabaret-punk orchestra World/Inferno Friendship Society, “world’s best bar band” the Hold Steady (“one of the all-time great New York bands”—Rolling Stone), Balkan-jazz quartet Guignol, co-founded the composer-performer collective Anti-Social Music, was a touring member of agit-punks Against Me!; and recorded or performed with dozens of other acts. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a “Season’s Best Travel Book” by The New York Times. His second book, the novel Someone Should Pay For Your Pain, was called “a knockout fiction debut” by Buzzfeed; and was named one of Rolling Stone's “Best Music Books of 2021” (“finally, the great indie-rock novel…like Dostoyevsky in a DIY punk space”). In fall 2024, his third book Band People, a non-fiction study of the working and creative lives of musicians, appeared on University of Texas Press’ American Music series. His writing has appeared in The New York Times, Slate, The Paris Review Daily, The Kenyon Review Online, Ploughshares, the Los Angeles Review of Books, Threepenny Review, and elsewhere. He has taught at UC–Berkeley and in Columbia University’s MFA fiction program, and is currently a faculty member in music and written arts at Bard College.

Chris Molanphy is a chart analyst and pop critic who writes about the intersection of culture and commerce in popular music. For Slate, he created and hosts the Hit Parade podcast and writes their “Why Is This Song No. 1?” series. His most recent book is Old Town Road (DUP, 2023), about the Lil Nas X song of the same name and the chart history and race/genre intersections that led to its record-setting chart run. Chris’s work has also appeared in Rolling Stone, Pitchfork, Vulture, NPR Music’s The Record, The Village Voice, Billboard and CMJ. Chris has also been a frequent guest on National Public Radio (All Things Considered, On the Media, Planet Money, Soundcheck), on SiriusXM and on numerous podcasts including the Culture Gabfest and the New York Times Popcast


Monday, November 18, 2024
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  6:00 pm EST/GMT-5
At this event, Distinguished Writer in Residence Dawn Lundy Martin will read from her work. Introduced by Poet in Residence Michael Ives, the reading is free and open to the student body.

Dawn Lundy Martin is an American poet, essayist, and memoirist. She is the author of five books of poems: Good Stock Strange Blood, winner of the 2019 Kingsley Tufts Award for Poetry; Life in a Box is a Pretty Life, which won the Lambda Literary Award for Lesbian Poetry; DISCIPLINE; A Gathering of Matter / A Matter of Gathering; and Instructions for The Lovers (Nightboat Books, 2024). Her nonfiction can be found in n+1, The New Yorker, Ploughshares, Chicago Review, and Best American Essays 2019 and 2021. Martin was a 2022 United States Artist Fellow, the inaugural Toi Derricotte Endowed Chair in English at the University of Pittsburgh, and the founding Director of the Center for African American Poetry and Poetics. Currently, she is Distinguished Writer in Residence at Bard College. She is at work on a memoir, When a Person Goes Missing, forthcoming from Pantheon Books.

Read more about Dawn Lundy Martin's work here. 


Monday, November 4, 2024
Maxime Catroux, Editorial Director, Flammarion Publishing House
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:15 pm – 6:30 pm EST/GMT-5
Join us for Maxime Catroux's talk. The presentation will be followed by a roundtable on the inside story of publishing with Daniel Mendelsohn, Dinaw Mengestu, Anne-Emmanuelle Robiquet, and Marina van Zuylen.


Sunday, November 3, 2024
A Talk with Norman Fischer
Bard Hall  6:00 pm EDT/GMT-4
In this talk, poet and Zen priest Norman Fischer will speak about the relationship between silence and words: what are words, what do they mean, how much can we rely on them? Does poetry really consist of words? Do words dissolve into silence, does silence pervade (poetic) words? He'll present poems from his new serial poem Through a Window, just out from Roof Books in New York.

Norman Fischer has been a Zen Buddhist priest for nearly 30 years, serving as abbot for the San Francisco Zen Center from 1995-2000. Founder and teacher of the Everyday Zen Foundation, he is one of the most highly respected Zen teachers in America, regularly leading Zen Buddhist retreats and events. He has also been one of the leaders in the re-emergence of Jewish Meditation. Norman has published thirty books of poetry, including the anthology Selected Poems 1980-2013. As one of the most prominent voices in Zen Buddhism today, as well as a theoretically informed and accomplished poet in contemporary letters, Norman’s work offers a rich terrain for investigation into the meeting of post-post-modern and Buddhist poetics.

Sunday, November 3, 2024
  Bard Hall  6:00 pm – 7:00 pm EDT/GMT-4
In this reading and discussion, poet and Zen priest Norman Fischer will speak about the relationship between silence and words. What are words, what do they mean, and how much can we rely on them? Do words dissolve into silence, does silence pervade (poetic) words? Fischer will present poems from his new serial poem "Through a Window", just out from Roof Books.

Co-sponsored by Written Arts, Interdisciplinary Study of Religions, Jewish Life, and the Bard Sangha.


Wednesday, October 23, 2024
A Conversation with Lina Attalah and Dina Ramadan
Campus Center, Weis Cinema  6:00 pm EDT/GMT-4
On Wednesday, October 23 at 6pm in Weis Cinema, Dina Ramadan will be joined in conversation by Lina Attalah. Lina Attalah has worked as a journalist for the last two decades, covering some of the Arab world's most significant events. As co-founder and editor of Mada Masr, a leading independent online newspaper, she will discuss some of the challenges and risks of working as a journalist in Egypt today and journalism as an act that gestures toward truth finding as opposed to a finitude.

Lina Attalah is the publisher and founding editor of Mada Masr, a Cairo-based news website. She has been a journalist covering the region for the last two decades, with reporting on revolutions in Egypt and Lebanon, civil wars in Syria and Sudan, the siege of Gaza, and electoral politics in Iran.

Dina A. Ramadan is Continuing Associate Professor of Human Rights and Middle Eastern Studies, and Faculty at the Center for Curatorial Studies. She is a 2023 recipient of The Andy Warhol Foundation Arts Writers Grant.  


Tuesday, October 22, 2024
with Diana Khoi Nguyen
Blithewood  6:30 pm EDT/GMT-4
On Tuesday, October 22 at 6:30 pm at Blithewood, Diana Khoi Nguyen will read from her work. The reading will be followed by a moderated Q&A. 

A poet and multimedia artist, Diana Khoi Nguyen is the author of Root Fractures (2024) and Ghost Of (2018), which was a finalist for the National Book Award. Her video work has been exhibited at the Miller ICA. Nguyen is a MacDowell fellow and member of the Vietnamese artist collective, She Who Has No Master(s). She's received an NEA fellowship and awards from the 92Y “Discovery” Poetry and 2019 Kate Tufts Discovery contests. She teaches in the Randolph College Low-Residency MFA and is an assistant professor at the University of Pittsburgh.

Read more about Diana Khoi Nguyen’s work here.


Monday, October 21, 2024
The internationally renowned writer will read from her work.
Chapel of the Holy Innocents  4:00 pm – 5:00 pm EDT/GMT-4
Internationally renowned writer Joyce Carol Oates will give a reading at Bard College on Monday, October 21, at 4:00 pm in the Chapel of the Holy Innocents. Oates is a recipient of the National Humanities Medal, the National Book Critics Circle Ivan Sandrof Life Achievement Award, the National Book Award, the Jerusalem Prize for Lifetime Achievement, the Prix Femina, the PEN/Malamud Award for Excellence in the Art of the Short Story, and the Cino Del Duca World Prize, among many other honors. She has written some of the most enduring fiction of our time, including the national best sellers We Were the Mulvaneys, Blonde, and the New York Times best seller The Falls.
 
The reading, which is being presented as part of Bradford Morrow’s course on innovative contemporary fiction, is free and open to the public. With Morrow, Oates is co-editing Conjunctions:83, Revenants, The Ghost Issue, which will be published in November. Revenants will bring together fiction and poetry on the “unliving-living” by a wide array of esteemed writers, such as Margaret Atwood, Carmen Maria Machado, Ben Okri, Paul Tremblay, Stephen Graham Jones, Patricia Smith, Valerie Martin, Jonathan Carroll, Reggie Oliver, James Morrow, Can Xue, Brian Evenson, Paul Muldoon, and others.


Praise for Joyce Carol Oates

“It’s hard to think of another writer with as fecund and protean an imagination . . . who is surely on any shortlist of America’s greatest living writers.” —The New York Times Magazine

“Her short stories—she has won more Pushcart Prizes than any other writer—feel perfect, like tight circles around a kind of unspoken abyss.” —The New Yorker


Tuesday, October 8, 2024
Read by Elizabeth Shafer
Shafer House  5:00 pm EDT/GMT-4
On Tuesday, October 8 at 5pm in the Shafer House, Elizabeth Shafer will read from two of Margaret Creal’s works: her 1957 novel, A Lesson in Love, and her 1994 short story, London Bridge is Falling Down. The reading will be followed by a reception with refreshments. All are welcome.

Margaret Creal Shafer was born in Regina, Saskatchewan, Canada, where she began her piano study at the Royal Conservatory of Music. She moved to the Hudson Valley with her husband, the late Fredrick Q. Shafer “Fritz,” former rector of St. Johns Church in Barrytown, and Bernard Iddings Bell Professor of Philosophy and Religion at Bard College. She taught piano for over forty years and authored three books: two short-story collections, The Man Who Sold Prayers and Singing Sky, and a novel, A Lesson in Love, and was a devoted member of the Hudson Valley Chamber Music Circle and quintessential host. Her house is now the home of the Written Arts Program, a fitting tribute to an author and beloved community member.

Elizabeth Shafer is an artist, writer, and retired lawyer. She paints primarily in oils, but also works in pastels, printmaking, and encaustics. She had a solo exhibition of her art work at the Saugerties Public Library in 2019. Her chapbook, Wellsprings, was published in 2019. She was a Contributor in Poetry at the Bread Loaf Writers’ Conference in August 2015. She is involved in environmental issues and has been a Board Member since 1991 of the Lawyers’ Committee on Nuclear Policy. She lives with her husband, Stephen Shafer, on their sheep farm in Saugerties, N.Y.  Margaret Creal was her beloved mother-in-law.


Tuesday, September 17, 2024
Shafer House  5:30 pm EDT/GMT-4
The Written Arts Program welcomes any and all interested students to an open house in Shafer House. Members of the faculty will be in attendance to answer any specific questions you may have, or to talk with you generally about workshops, Moderation, and Senior Projects. Enjoy the waterfall and have some refreshments as you chat with other student writers about their experiences in the program.

Shafer House (9 Cedar Hill Road) is located at the Annandale Triangle on south campus.


Monday, September 16, 2024
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:30 pm – 6:30 pm EDT/GMT-4
On Monday, September 16 at 5:30pm in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC), Distinguished Visiting Professor of Written Arts Joseph O'Neill will read from his work. Introduced by Mary Caponegro and follwed by a Q&A, the reading is free and open to the student body.

Joseph O’Neill is the author of the novels Godwin, The Dog, Netherland (which won the PEN/Faulkner Award for Fiction and the Kerry Group Irish Fiction Award), The Breezes, and This Is the Life. He has also written a family history, Blood-Dark Track, and a book of stories, Good Trouble. He lives in New York City and teaches at Bard College.


Friday, September 13, 2024
A Workshop with Ama Codjoe
Campus Center, Weis Cinema  10:15 am – 1:00 pm EDT/GMT-4
In this generative workshop, participants will discuss ekphrastic writing: writing about art. Together we will engage in close reading and close looking. Workshop attendees will leave with a draft of a poem and with prompts for further and future writing. No prior writing experience is needed. Please come prepared to write longhand.

This workshop will be broken into two sessions: from 10:15–11:30 am, and then from 12:00–1:00 pm. 

Ama Codjoe is the author of Bluest Nude, winner of the Lenore Marshall Poetry Prize, and finalist for the NAACP Image Award for Outstanding Poetry, the Kate Tufts Discovery Award, and the Paterson Poetry Prize. She is also the author of Blood of the Air, winner of the Drinking Gourd Chapbook Poetry Prize. Among other honors, Codjoe has received fellowships from the Rona Jaffe Foundation, the National Endowment for the Arts, the Bronx Council on the Arts, the New York State Council/New York Foundation of the Arts, and the Jerome Foundation. In 2023, Codjoe was appointed as the second Poet-in-Residence at the Guggenheim Museum. She is the winner of a 2023 Whiting Award and a recipient of a 2024 Arts and Letters Award in Literature from the American Academy of Arts and Letters.

Read more about Ama Codjoe's work here. 

Tuesday, May 14, 2024
  Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:00 pm – 7:00 pm EDT/GMT-4
On Monday, May 13, and Tuesday, May 14 at 5pm, please join the Written Arts Program for two nights of senior readings! Written Arts seniors will be reading excerpts from their recently completed Senior Projects in fiction, poetry, narrative nonfiction, and hybrid forms, with introductory and closing remarks from Written Arts faculty. This event will be held in person in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC). All are welcome!

May 13 Readers
Ilias Medrano
Michaela Siegel
Havvah Keller
Maddie Oprica
Frankie McNerney
Zach Mattison
Pati Dynes
Zeke Morgan
Gabriel Goering
Nine Reed-Mera
Emily McMaster
Rae Lipkind
William Fink
Justine Denamiel
Zoie Garnsey
Savannah Pina
Dylan Whitaker
Misha Schaffner-Kargman

May 14 Readers
Lukas Olausson
Anna Nelson
Zeph Watkins
Johannes Furtwangler
Sam Crocker
Danielle Dean
Lindsey Jordan
Lisa Magee
Lowell Thomas 
Sadie Bernard
Juno Shepard
Isabelle Kline
Simon Horan
Ruby Greischar
Achi Tsitsishvili
Hannah Hemingway
Jonathan Asiedu
Shannon O'Neill


Monday, May 13, 2024
  Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:00 pm – 7:00 pm EDT/GMT-4
On Monday, May 13, and Tuesday, May 14 at 5pm, please join the Written Arts Program for two nights of senior readings! Written Arts seniors will be reading excerpts from their recently completed Senior Projects in fiction, poetry, narrative nonfiction, and hybrid forms, with introductory and closing remarks from Written Arts faculty. This event will be held in person in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC). All are welcome!

May 13 Readers
Ilias Medrano
Michaela Siegel
Havvah Keller
Maddie Oprica
Frankie McNerney
Zach Mattison
Pati Dynes
Zeke Morgan
Gabriel Goering
Nine Reed-Mera
Emily McMaster
Rae Lipkind
William Fink
Justine Denamiel
Zoie Garnsey
Savannah Pina
Dylan Whitaker
Misha Schaffner-Kargman

May 14 Readers
Lukas Olausson
Anna Nelson
Zeph Watkins
Johannes Furtwangler
Sam Crocker
Danielle Dean
Lindsey Jordan
Lisa Magee
Lowell Thomas 
Sadie Bernard
Juno Shepard
Isabelle Kline
Simon Horan
Ruby Greischar
Achi Tsitsishvili
Hannah Hemingway
Jonathan Asiedu
Shannon O'Neill


Wednesday, May 1, 2024
  Campus Center, Weis Cinema  7:00 pm – 10:00 pm EDT/GMT-4
Screening of Stanley Kubrick’s 1968 film, 2001: A Space Odyssey

For WRIT 345: Imagining Nonhuman Consciousness


Thursday, April 25, 2024
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  6:00 pm EDT/GMT-4
On Thursday, April 25 at 6 pm in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC), Terrance Hayes will read from his work. He will be introduced by Erica Kaufman, Bard Writer in Residence and Director of the Institute for Writing and Thinking. The reading will be followed by a discussion moderated by Dawn Lundy Martin, Distinguished Writer in Residence at Bard College. 

Terrance Hayes is the author of seven poetry collections: So to Speak; American Sonnets for My Past And Future Assassin, a finalist for the National Book Award, National Book Critics Circle Award, and TS Eliot Prize; How to Be Drawn; Lighthead, winner of the 2010 National Book Award for poetry; Muscular Music, recipient of the Kate Tufts Discovery Award; Hip Logic, winner of the 2001 National Poetry Series; and Wind in a Box. His prose collection, To Float In The Space Between: Drawings and Essays in Conversation with Etheridge Knight, was a finalist for the National Book Critics Circle Award and winner of the Pegasus Award for Poetry Criticism. Hayes has received fellowships from the MacArthur Foundation, Guggenheim Foundation, and Whiting Foundation, and is a professor of English at New York University.


Monday, April 22, 2024
The acclaimed, genre-spanning writer reads from her work.
Campus Center, Weis Cinema  EVENT CANCELED

Novelist and short story writer Elizabeth Hand will read from new work at Bard College on Monday, April 22 at 4:00 pm in Weis Cinema, located in the Bertelsmann Campus Center. Hand is the author of over 20 genre-spanning, award-winning novels and collections of short fiction. Her most recent novel, A Haunting on the Hill, is an homage to Shirley Jackson’s classic The Haunting of Hill House and was commissioned by Jackson’s family. The reading, which is being presented as part of Bradford Morrow’s course on innovative contemporary fiction, is free and open to the public. 

A longtime critic and reviewer, Hand’s writing has also appeared in the Washington Post, the New York Times, Boston Review, Salon, the Los Angeles Times, and the Magazine of Fantasy and Science Fiction, among other outlets. Her noir novels featuring post-punk photographer and provocateur Cass Neary have been translated into myriad languages and are being developed for a TV series. Hand has been an instructor at writing workshops across the US and abroad, including Oxford and Pakistan, and is on the faculty at the Stonecoast MFA Program in Creative Writing. She divides her time between the Maine coast and North London, and is at work on Unspeakable Things, which is loosely inspired by Daphne Du Maurier’s Rebecca.

 
Praise for Elizabeth Hand
 
“Hand has a gift for the sensuous, evocative detail, and her descriptions are often simultaneously seductive and spooky.” —The New Yorker

“A Haunting on the Hill is a love letter to Hill House and a very impressive tribute to Shirley Jackson. It is also a tremendous addition to Hand’s already outstanding, multi-genre oeuvre.” —Gabino Iglesias, NPR

“Only the brilliant Elizabeth Hand could so expertly honor Jackson’s rage, wit, and vision with a 21st century twist. The old place is as creepy, disorienting, and menacing as ever.” —Paul Tremblay

“To describe Elizabeth Hand as a mystery writer is to not have read another Elizabeth Hand book. Over decades, she has proved that she’s eclectic, genre-bending, and comfortable in fantasy and mystery, crime, myth, magic—and more.” —The Washington Post
 


Friday, April 19, 2024
Bard Hall  3:00 pm – 5:00 pm EDT/GMT-4
In Ancient Greece, professional performers of Homer were called Rhapsodes. Their job was to memorize Homeric poetry and perform it at festivals around Greece. Today we honor their tradition and that of Bill Mullen, a former professor of Classics and Rhetoric at Bard College.

The Contest

The Bill Mullen Recitation Contest is an annual competition amongst Bard College and BHSEC Cleveland students. The recitation prize competition encourages the love of literature, the joy in oral recitation, the committing to memory of great poetry, the love of public speaking, and the agonal spirit, all of which are at the heart of how we remember Bill Mullen’s intellectual legacy. The Bill Mullen Recitation contest aims to expose students to, and perhaps instill a love for, the art of memorizing and reciting poetry. Read more here.

We are no longer accepting entries as we have reached our upper limit for capacity at the event!

Contest Rules

- Participants must be undergraduates at Bard College.
- Poem must be recited in English (translations into English are welcome).
- The poem’s author must be deceased.
- Full texts only, no excerpts.
- Recitation length: no longer than 3 minutes.
- Entry deadline: April 12, 2024.

Prizes:

$500 1st place
$100 2nd place

Who Is Bill Mullen?

In 2021, Bard College announced the William C. Mullen Memorial Fund, created by a generous donation from longtime Bard professor Bill Mullen. This fund is used to promote his legacy through grants to any of Bill’s former students to continue their studies in the liberal arts and sciences. William “Bill” Mullen (1946–2017) was a professor of classics and taught at Bard from 1985 until his death.

Read more about Professor Mullen here

Who Are the Judges?

Thomas Bartscherer is the Peter Sourian Senior Lecturer in the Humanities at Bard College. He writes on the intersection of literature and philosophy, with a particular focus on tragic drama, aesthetics, and performance. He also writes on contemporary art, new media technology, and the history and practice of liberal education. 

Ann Lauterbach is a poet and essayist. Her eleventh collection of poetry, Door, will be published by Penguin Random House in March (2023). She writes at the intersection of poetics, politics and the visual arts. A recipient of a Guggenheim Fellowship (1986) and a MacArthur Fellowship (1993), she is Ruth and David Schwab Professor of Languages and Literature (Written Arts) at Bard College.
 


Thursday, April 18, 2024
Bard Hall  6:00 pm EDT/GMT-4
On Thursday, April 18, at 6 pm in Bard Hall, Aaliyah Bilal will read from her work. She will be introduced by Rachel Ephraim, Bard Early College Hudson Valley faculty member. The reading will be followed by a discussion moderated by her editor Yahdon Israel, senior editor at Simon & Schuster.

Aaliyah Bilal was born and raised in Prince George’s County, Maryland. She has degrees from Oberlin College and the University of London School of Oriental and African Studies. She’s published stories and essays with the Michigan Quarterly Review and The Rumpus. Temple Folk is her first short story collection.

Yahdon Israel is a Senior editor at Simon Schuster and founder of Literaryswag, a cultural movement that intersects literature and fashion to make books accessible.  He has written for The New Inquiry, LitHub, Poets and Writers, Vanity Fair, and The Atlantic. He teaches Creative Writing at the MFA Program at City College. Read more about Yahdon's work here. 

More about Temple Folk

Finalist for the 2023 National Book Award for Fiction

“Temple Folk is more than a special literary accomplishment, it is a gift of glorious songs. The people in the nation of Islam have not appeared very often in literature. Now, Aaliyah Bilal arrives with a splendid and grand collection of 10 stories that, with sensitivity and insight and skill, give us a world of people, our loved ones, and neighbors, who decided that life might be better in the nation. We have long needed these stories, these songs, and this gift should be praised from as many rooftops as possible.” —Edward P. Jones, Pulitzer Prize-winning author of The Known World

“With her landmark debut, Temple Folk, Aaliyah Bilal shines a light on a Black American community that, for all its influence, hasn’t been given its due in fiction—the Nation of Islam. The deftness of her storytelling allows total access to characters struggling to practice faith as a means of survival. This is a truly masterful work, full of compassion, humor, nuance, and great insight.” –Emily Raboteau, Author of Searching for Zion

Read more about Aaliyah's work here. 


Tuesday, April 16, 2024
A Talk with Carol Goodman
Olin Humanities, Room 202  5:00 pm – 6:30 pm EDT/GMT-4
Culturally and often personally, fairy tales, folklore, and myth are the humanity’s earliest narratives. Fiction writers have drawn from this source throughout the history of literature—both to get inspired themselves and to inspire others. Carol Goodman will discuss the influence that fairy tales, folklore and myth have had on her writing, from the traditional stories encountered in childhood to the myth-inflected novels, including Charlotte Bronte’s Jane Eyre.

Carol Goodman is the author of 25 novels, including The Seduction of Water, which won the 2003 Hammett Prize, The Widow’s House, which won the 2018 Mary Higgins Clark Award, and The Night Visitors, which won the 2020 Mary Higgins Clark Award. Her latest novel is The Bones of the Story. She teaches writing and literature at SUNY New Paltz and lives in the Hudson Valley. 


Tuesday, April 2, 2024
A Performance with JJJJJerome Ellis
Bitó Conservatory Building, Performance Space  6:30 pm – 8:00 pm EDT/GMT-4
In this performance, artist JJJJJerome Ellis presents portions of their latest project Aster of Ceremonies. Using piano, saxophone, electronics, and voice, they’ll perform excerpts from “Benediction,” a devotional song cycle attending to 18th and 19th century Black runaway slaves who stuttered. This lecture-performance is an ongoing attempt to, in the words of critic Hortense Spillers, “hear [slavery’s] stutter more clearly.”

JJJJJerome Ellis (any pronoun) is a disabled animal, artist, and person who stutters. Through music, performance, writing, video, and photography, the artist asks what stuttering can teach us about justice. Born in 1989 to Jamaican and Grenadian immigrants, the artist lives in Norfolk, Virginia, USA with their wife, ecologist-poet Luísa Black Ellis. Ellis has been a lecturer in Sound Design at Yale University. Their debut album, The Clearing (2021), was called “an astonishing, must-listen project” (The Guardian). It was co-produced by NNA Tapes and The Poetry Project, and it was released with an accompanying book published by Wendy’s Subway. The Clearing won the 2022 Anna Rabinowitz Prize.

The artist has received a Fulbright Fellowship (2015), a United States Artists Fellowship (2022), a Foundation for Contemporary Art Grants to Artists Award (2022), a Creative Capital Grant (2022). The artist has received residencies at MacDowell (2019, 2022), Ucross (2021), Lincoln Center Theater (2019), ISSUE Project Room (2021), and La MaMa (2021).

JJJJJerome’s solo and collaborative musical/performance work has been presented by Lincoln Center, The Poetry Project, the Metropolitan Museum of Art, National Sawdust, WNYC, and ISSUE Project Room (New York); Venice Biennale 2023; Haus der Kunst (Munich); Rewire Festival (The Hague); Schauspielhaus Zürich; Chrysler Hall (Norfolk, Virginia); MASS MoCA (North Adams, Massachusetts); Arraymusic (Toronto); and the Center for African American Poetry and Poetics (Pittsburgh, Pennsylvania), among others. The artist’s visual work (video and photography) has been presented by Oklahoma Contemporary (Oklahoma City), Juf (Madrid), Artspace New Haven (New Haven, Connecticut), and Ballroom Marfa (Marfa, Texas). They have received commissions from the Virginia Symphony Orchestra, The Shed, and REDCAT.

Ellis is a signed artist with NNA Tapes and is represented by Michaël Gardiner at Heavy Trip, Pascal Mungioli at Stay Service, and Ben Izzo at A3 Artists Agency. The artist’s work has been covered by the Guardian, This American Life, Pitchfork, Artforum, Black Enso, and Christian Science Monitor.

Read more about JJJJerome's work here. 


Tuesday, April 2, 2024
Film Screening and Director Q&A with Michael Lockshin
Avery Art Center  5:30 pm – 9:00 pm EDT/GMT-4
“…one of the most dramatic and charged Russian film debuts in recent memory. The movie refashions the novel as a revenge tragedy about a writer’s struggle under censorship, borrowing from the story of Bulgakov’s own life” (Paul Sonne, New York Times).

“… a blistering critique of Soviet power and authoritarianism… a box-office smash and a cultural phenomenon …” (Christopher Vourlias, Variety).

“As Russia becomes more repressive, it is possible that Master and Margarita could be one of the last films of its kind, a blockbuster where the criticism of the state lies on the surface.” (Andrew Roth, Guardian).

The American-Russian film-maker Michael Lockshin was born in the US and moved to the Soviet Union as a child in 1986. His first feature film, Silver Skates (2020) became the first Russian-language original film on Netflix. Lockshin directed and coauthored The Master and Margarita after Mikhail Bulgakov’s novel, composed in 1928–1940 and published posthumously in 1967–68. Released on January 25, the film was blasted by pro-Kremlin propagandists for its “sharp, anti-Soviet, anti-modern Russian theme.” Russian ideologues’ appeals to cancel Lockshin and his film have been brought about by the director’s pronouncements against the war and his support for Ukraine.


Monday, March 25, 2024
The 2019 Shirley Jackson Award winner reads from his work
Campus Center, Weis Cinema  4:30 pm – 5:30 pm EDT/GMT-4
Novelist and short story writer Brian Evenson will read from new work at Bard College on Monday, March 25 at 5:00 pm in Weis Cinema, located in the Bertelsmann Campus Center. Evenson is the author of a dozen books of fiction, most recently the story collection The Glassy, Burning Floor of Hell (2021), and the Weird West microcollection Black Bark (2023). The reading, which is being presented as part of Bradford Morrow’s course on innovative contemporary fiction, is free and open to the public. 

Evenson’s collection Song for the Unraveling of the World (2019) won the Shirley Jackson Award and the World Fantasy Award, and was a finalist for the Los Angeles Times’ Ray Bradbury Prize for Science Fiction, Fantasy, and Speculative Fiction. Previous books have won the American Library Association’s RUSA Prize Award and the International Horror Guild Award, and have been finalists for the Edgar Award. He is the recipient of three O. Henry Prizes, an NEA fellowship, and a Guggenheim Award. His work has been translated into more than a dozen languages. A new book, Good Night, Sleep Tight, will be published by Coffee House Press in September of 2024. He lives in Los Angeles and teaches at CalArts.
 Praise for Brian Evenson
 “His stories are deeply terrifying and so troubling that they linger in your mind long after you've read them.” —R.L. Stine

“There is not a more intense, prolific, or apocalyptic writer of fiction in America than Brian Evenson.” —George Saunders

“Brian Evenson is one of the most consistently vital and unnerving voices in writing today. . . . No matter where you start with Evenson’s work, the door is wide ajar, and once you go through it you won't be coming out.” —VICE

“Brian Evenson is one of my favorite living horror writers.” —Carmen Maria Machado

“You’ve heard of ‘postmodern’ stories—well, Evenson’s stories are post-everything. They are post-human, post-reason, post-apocalyptic. . . . In an Evenson story, there are two horrible things that can happen to you. You can either fail to survive, or survive.” — New York Times
 


Tuesday, March 5, 2024
  Visiting Professor of Humanities Adam Shatz reads selections from his new book, followed by a conversation with Ziad Dallal, Assistant Professor of Foreign Languages, Cultures, and Literatures and Director of Middle East Studies.
Reem-Kayden Center; Room 103   5:00 pm – 7:00 pm EST/GMT-5
About the Rebel's Clinic: “In the era of Black Lives Matter, Frantz Fanon’s shadow looms larger than ever. He was the intellectual activist of the postcolonial era, and his writings about race, revolution, and the psychology of power continue to shape radical movements across the world. In this searching biography, Adam Shatz tells the story of Fanon’s stunning journey, which has all the twists of a Cold War-era thriller.”


Monday, February 26, 2024
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium  5:30 pm – 7:00 pm EST/GMT-5
On Monday, February 26 at 5:30 pm in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC), Richard Deming will read from his book, This Exquisite Loneliness: What Loners, Outcasts, and the Misunderstood Can Teach Us About Creativity. Introduced by Written Arts Program Director Dinaw Mengestu and followed by a discussion with David and Ruth Schwab Professor of Languages and Literature Ann Lauterbach.

Richard Deming is a poet, art critic, and theorist whose work explores the intersections of poetry, philosophy, and visual culture. His most recent book, This Exquisite Loneliness, appeared in 2023. He is also the author of Day for Night, Listening on All Sides, and Art of the Ordinary. His collection of poems, Let’s Not Call It Consequence, received the Norma Farber Award from the Poetry Society of America. He contributes to such magazines as Artforum, Sight & Sound, and the Boston Review, and his poems have appeared in the Iowa Review, Field, American Letters & Commentary, and The Nation. Winner of the Berlin Prize, he was the Spring 2012 John P. Birkelund Fellow of the American Academy in Berlin. He teaches at Yale University, where he is the director of Creative Writing.


Tuesday, February 20, 2024
  Olin Humanities, Room 202  5:30 pm – 7:00 pm EST/GMT-5
The Written Arts program will be holding a moderation Q&A in Olin 202. Students intending to moderate into the Written Arts will have the opportunity to speak with faculty about the moderation process and specific Written Arts requirements. Students intending to moderate into Written Arts this semester are required to attend this event. Those who are unable to attend are asked to please notify the program coordinator ([email protected]) in advance.


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