2021
Tuesday, December 14, 2021
Online Event 6:00 pm – 7:15 pm EST/GMT-5
Join alumni/ae authors David Avallone ’87, Chris Claremont ’72, and Devin Grayson ’91 for a conversation about Comic Books & Graphic Novels moderated by BardWrites founder Maya Gottfried ’95! Click here to register. This event is open to all members of the Bard Community. To learn more about the BardWrites Affinity Group, click here. |
Monday, November 8, 2021
A Reading with Jenny Offill from Her Novel, Weather, in Conversation with Daniel Williams
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:30 pm – 8:00 pm EST/GMT-5 On Monday, November 8, at 6:30 p.m., in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC), Jenny Offill reads from her work and is joined in conversation with faculty member Daniel Williams. Jenny Offill is an acclaimed fiction writer whose debut novel, Last Things (1999), was named a New York Times Notable Book and finalist for the LA Times First Book Award. The New York Times named her second novel, Dept. of Speculation, one of the 10 Best Books of 2014. Weather: A Novel was published in 2020 and lauded by the Boston Globe as “tiny in size but immense in scope, radically disorienting yet reassuringly humane, strikingly eccentric and completely irresistible.” Her critical work has appeared in the New York Times Book Review and Slate. She is coeditor, with Elissa Schappell, of the anthologies Money Changes Everything and The Friend Who Got Away; author of a number of children’s books; and subject of a February 2020 feature in the New York Times Magazine, “How to Write Fiction when the Planet is Falling Apart.” Honors include a Stegner Fellowship at Stanford University, Guggenheim Fellowship, New York Film Academy Fellowship in Fiction, and resident fellowships at Macdowell Colony, Slovenian PEN Centre, and Yaddo. Offill previously taught in the MFA programs at Brooklyn College, Syracuse University, Columbia University, and Queens University of Charlotte, North Carolina; and served as Visiting Writer at Syracuse University and Sarah Lawrence College, and as Writer in Residence at Vassar College and Pratt University. She has been a Visiting Writer in Residence at Bard College since 2020. Daniel Williams is Assistant Professor of Literature at Bard College. He specializes in nineteenth-century British literature and culture and also works on the literature of contemporary South and Southern Africa. His interests include history of science and philosophy, environmental humanities, and law and literature. His articles and reviews have appeared in venues such as ELH, Novel, Public Books, Studies in the Novel, Victorian Studies, Victorian Literature and Culture, Victorian Poetry, Nineteenth-Century Contexts, Modern Language Notes, Comparative Literary Studies, Genre, Anglia, and Safundi, as well as in edited collections including The Link Between Animal Abuse and Human Violence and The Oxford Handbook of Law and Humanities. Download: Excerpt of Weather by Jenny Offill.pdf |
Monday, November 8, 2021
A lecture by Juanita Solano and Blanca Serrano in conjunction with WRIT 354 Plundering the Americas: On Violence Against Land and Bodies with Valeria Luiselli
Online Event 3:00 pm – 4:20 pm EST/GMT-5 Until the end of the nineteenth-century bananas were considered an exotic fruit and were virtually unknown in American consumer culture. Today, they occupy a major role in popular culture and are globally consumed due to their low price and nutritional benefits. But how did bananas become icons of violence, sexual symbols, and representations of underdevelopment? In this presentation Dr. Blanca Serrano Ortiz (Project Director at ISLAA) and Dr. Juanita Solano Roa (Assistant Professor at the Universidad de Los Andes) will uncover the history of this complex fruit through the presentation of Banana Craze, a digital humanities project curated by them. Banana Craze investigates the impact of the banana monoculture in the Americas through the examination of 100 works by contemporary Latin American and Latinx artists. Zoom link: https://us02web.zoom.us/j/151145885?pwd=QTJvWVBVV2xmSVY0dGJBcHpMY0lpZz09 |
Friday, November 5, 2021
Online Event 9:00 am – 3:30 pm EDT/GMT-4
We planning for both the October 1 and November 5, 2021 Bard College IWT Writer as Reader Workshops to be held online. We look forward to returning to in-person workshops in 2022. Writer as Reader workshops model writing practices that inspire students to read more carefully, to grasp the meaning in more complex texts, and to infer meaning from what they read. These workshops invite secondary and college teachers to consider “writing to read” as a central classroom practice, one that shows rather than tells students how writing clarifies the meaning of texts. Working with diverse writing-to-read strategies, workshop participants discover what they bring to the text, what is apparent in the text, what is inferred, and what questions the text poses. Workshop offerings: Language Choice as Language Justice: Reading for Resistance in Postcolonial Texts Writing Home: Kinship, Citizenship, and Belonging in Sophocles’ Antigone and Alison Bechdel’s Fun Home The Substance of Justice: The Narrative of Sojourner Truth and “The Merchant of Venice” Walt Whitman: Looking, Listing, Vegetating Aha! Moments: Exploring Epiphanies in James Joyce, Katherine Mansfield and ZZ Packer Tell It Slant: Grappling with Suffering through Science Fiction and Fable The Fractal Nature of Our World: The Mathematics of Tom Stoppard’s Arcadia Trouble in Paradise: Visions of Black Utopia & Despair in Zora Neale Hurston’s Their Eyes Were Watching God and Marvel's Black Panther Issues in Translation: Poems that Prevail against Erasure Why We Walk: Teju Cole and Virginia Woolf |
Wednesday, November 3, 2021
Memoir as Social Critique
Campus Center, Multipurpose Room 6:00 pm – 7:30 pm EDT/GMT-4 A conversation with Dax-Devlon Ross, author of Letters to My White Male Friends, and Michael Sadowski, author of Men I've Never Been: A Memoir about how memoir, one of the most intimate of writing genres, can also serve as a form of explicit or implicit social critique, exploring issues such as systemic racism, homophobia, and toxic masculinity through personal narratives. |
Friday, October 29, 2021
Reception with Natasha Marin
Ludlow Tent 4:30 pm – 6:00 pm EDT/GMT-4 Natasha Marin is a conceptual artist whose people-centered projects have circled the globe since 2012 and have been recognized and acknowledged by Art Forum, the New York Times, the Washington Post, the LA Times, NBC, Al Jazeera, Vice, PBS and others. She is the curator of BLACK IMAGINATION: Black Voices on Black Futures (McSweeney's, 2020). Learn more here: https://www.black-imagination.com/ This event is a part of “The Future of Form,” a collaborative project between Written Arts and the Center for Experimental Humanities. This yearlong speaker and workshop series brings together an exciting group of diverse writers whose creative practices cross disciplinary boundaries and experiment in various ways with form. |
Monday, October 18, 2021
The 2017 American Book Award–winning author reads from his work
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:30 pm – 8:00 pm EDT/GMT-4 On Monday, October 18, at 6:30 p.m., in the László Z. Bitó ’60 Auditorium, Reem-Kayden Center (RKC), Marc Anthony Richardson reads from his work. Presented by the Innovative Contemporary Fiction Reading Series and the Written Arts Program, and introduced by MacArthur Fellow Dinaw Mengestu. Marc Anthony Richardson is an artist and novelist from Philadelphia, who specializes in dense, visceral prose that circles on itself and leaps from present to past, using language that is, at times, phantasmagoric. Year of the Rat, his debut novel, won the Ronald Sukenick Innovative Fiction Prize, and an American Book Award. Richardson was also the recipient of a PEN America grant, a Zora Neale Hurston/Richard Wright fellowship, and a Vermont Studio Center residency. His work has appeared in Conjunctions, Callaloo, Black Warrior Review, Western Humanities Review, and the anthology, Who Will Speak for America?, from Temple University Press. He received his MFA from Mills College, taught at Rutgers University, and currently teaches at the University of Pennsylvania, where he is the recipient of a 2021 Sachs Program Grant for Arts Innovation for his novel-in-progress, The Serpent Will Eat Whatever is in the Belly of the Beast, for which he has also received a 2021 Creative Capital Award. He will be a writer-in-residence at Rhodes University in Grahamstown, South Africa. PRAISE FOR MARC ANTHONY RICHARDSON “Richardson has found a way to describe in words the inability to understand other people...once readers enter the story it’s easy to be swept into its stormy momentum, and to acknowledge the very promising start of the author’s career.” —Publishers Weekly “Even the most challenging of transgressive writers pales in comparison...” —Kirkus Reviews “This is a novel that commands attention, both because its forms and expressions are so contemporary, and because it reminds us that telling is often insufficient—that, even if it’s not thus excused, at least what’s most wanting about us might be accepted by virtue of being retold.” —Joe Milazzo for Entropy Download: Excerpt of Messiahs by Marc Anthony Richardson.pdf |
Thursday, October 7, 2021
Len Gutkin '07,
Senior Editor, The Chronicle Review and Author Olin Humanities, Room 102 5:30 pm – 7:30 pm EDT/GMT-4 Len Gutkin '07 is a senior editor at The Chronicle Review and the author of Dandyism: Forming Fiction from Modernism to the Present (University of Virginia Press, 2020). His essays and reviews have appeared in venues including Times Literary Supplement, Boston Review, The Los Angeles Review of Books, Bookforum, and Post45. |
Monday, October 4, 2021
Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 6:30 pm – 8:00 pm EDT/GMT-4
“Akil Kumarasamy’s Half-Gods is a breathtaking debut by one of those rare writers whose compassionate understanding—in this case, a multigenerational family with a frayed, crazy-quilt history—is matched by the narrative gifts necessary to bring her tales to life,” writes the Bard Fiction Prize committee. “While each individual story in this inventive collection is told in vivid, lusciously worded, image-rich prose, the overarching symphonic whole has—much like Jamaica Kincaid’s first book, At the Bottom of the River—the sweep and scope of a novel. What Kumarasamy has given us with Half-Gods is ultimately a meditation, as most great stories are, on time, memory, and hope for the future.” Akil Kumarasamy is a writer from New Jersey and the author of the story collection, Half Gods, published by Farrar, Straus and Giroux in 2018, which was named a New York Times Editors’ Choice, and was the recipient of the Story Prize Spotlight Award and a finalist for the PEN/Robert W. Bingham Prize for Debut Short Story Collection. Her work has appeared in Harper’s Magazine, American Short Fiction, Boston Review, among others. She has received fellowships from the University of East Anglia, the Provincetown Fine Arts Work Center, Yaddo, and the Schomburg Center for Research in Black Culture. She is an assistant professor at the Rutgers-Newark MFA program and her debut novel, Better Humans, is forthcoming with Farrar, Straus and Giroux. Download: Excerpt of Half Gods by Akil Kumarasamy.pdf |
Friday, October 1, 2021
Online Event 9:00 am – 3:30 pm EDT/GMT-4
We planning for both the October 1 and November 5, 2021 Bard College IWT Writer as Reader Workshops to be held online. We look forward to returning to in-person workshops in 2022. Writer as Reader workshops model writing practices that inspire students to read more carefully, to grasp the meaning in more complex texts, and to infer meaning from what they read. These workshops invite secondary and college teachers to consider “writing to read” as a central classroom practice, one that shows rather than tells students how writing clarifies the meaning of texts. Working with diverse writing-to-read strategies, workshop participants discover what they bring to the text, what is apparent in the text, what is inferred, and what questions the text poses. Workshop offerings: Reading Climate, Writing Change: Octavia E. Butler’s Parable of the Sower and Christina Figueres and Tom Rivett-Carnac’s The Future We Choose: Surviving Climate Crisis “Vulnerable to Foreign Ways of Seeing and Thinking”: James Baldwin's "Sonny's Blues” and Gloria Anzaldúa's “La Conciencia de la Mestiza/Towards a New Consciousness” Diving Into The Wreck: Daniel Defoe, Adrienne Rich, and J.M. Coetzee “Who Will Take Up the Body?”: Sara Uribe’s Antígona González Reimagines Antigone within Today’s Global Politics Othello and American Moor: Studying Shakespeare in a Racialized America Science and Disenchantment: Max Weber’s “Science as Vocation” and the Role of Science in Ethical Life Edith Wharton's Two New Yorks “It’s Getting Started That’s the Puzzle”: Kelly Reichardt, First Cow, and telling American stories "I would not paint — a picture —": Emily Dickinson’s Visual Poetics The Lavender Scare: Mid-century Fictions and Fears |
Wednesday, September 15, 2021
In conversation with Dinaw Mengestu. John D. and Catherine T. MacArthur Professor in the Humanities at Bard College.
Online Event 7:00 pm – 8:30 pm EDT/GMT-4 Alaa Al Aswany is the author of numerous works of fiction and nonfiction, including the novels The Yacoubian Building, the best-selling novel in the Arab world for more than five years, with more than a million copies sold around the world; Chicago, named by Newsday as the best-translated novel of 2006; and The Automobile Club of Egypt. His work has been translated into more than thirty languages and published in more than one hundred countries. He is the recipient of the Grinzane Cavour Prize, and in 2016 he was appointed a Chevalier of the Ordre des Arts et des Lettres of France. Dinaw Mengestu was born in Addis Ababa, Ethiopia, in 1978. He is the recipient of a MacArthur Fellowship, a fellowship in fiction from the New York Foundation for the Arts, and a Lannan Literary Fellowship, and was named a “20 under 40” writer to watch by The New Yorker. Mengestu’s writing has appeared in The New Yorker, Rolling Stone, Harper’s, Granta, and other publications. Register here for the event. |
Monday, September 13, 2021
Meet faculty and other student writers, and ask questions about workshops and Moderation.
Shafer House 6:00 pm – 7:30 pm EDT/GMT-4 The Written Arts Program welcomes any and all interested students to an open house in Shafer House. Members of the faculty will be in attendance to answer any specific questions you may have, and/or to talk with you generally about workshops, Moderation, and Senior Projects. Enjoy the waterfall and have some refreshments as you chat with other student writers about their experiences in the program and Senior Projects. Shafer House (9 Cedar Hill Road) is located at the Annandale Triangle on south campus, across the road from Feitler House. |
Tuesday, September 7, 2021
Len Gutkin, Senior Editor, The Chronicle Review and Author
Olin Humanities, Room 102 5:30 pm – 7:30 pm EDT/GMT-4 Len Gutkin is a senior editor at The Chronicle Review and the author of Dandyism: Forming Fiction from Modernism to the Present (University of Virginia Press, 2020). His essays and reviews have appeared in venues including Times Literary Supplement, Boston Review, The Los Angeles Review of Books, Bookforum, and Post45. |
Wednesday, July 7, 2021
An evening of readings from Conjunctions:76, Fortieth Anniversary Issue, presented by Elliott Bay Book Company
Online Event 8:00 pm – 9:00 pm EDT/GMT-4 Please join us for an online evening of readings from Conjunctions:76, Fortieth Anniversary Issue, the latest issue of the biannual literary journal published by Bard College. The celebratory event will feature readings by contributing authors Fred D’Aguiar, Samuel R. Delany, Ann Lauterbach, and Sofia Samatar, and an introduction by founder and editor Bradford Morrow. The event is free and open to the public. Presented in partnership with Elliott Bay Book Company. Register to attend via Eventbrite here. About Conjunctions:76, Fortieth Anniversary Issue Edited by Bradford Morrow and published twice yearly by Bard College, Conjunctions showcases innovative fiction, poetry, and creative nonfiction by emerging voices and contemporary masters. The spring 2021 issue, Conjunctions:76, Fortieth Anniversary Issue, celebrates the magazine’s forty years in print with new and previously unpublished writing by Ben Okri, Karen Russell, Peter Cole, Ann Lauterbach, Lydia Davis, Samuel R. Delany, Akil Kumarasamy, John Ashbery, Joyce Carol Oates, Sofia Samatar, Richard Powers, Shane McCrae, Rachel Blau DuPlessis, William H. Gass, Can Xue, Jessica Campbell, Fred D’Aguiar, Isaac Bashevis Singer, Carole Maso, Julia Alvarez, Genya Turovskaya, Mark Irwin, Jayne Anne Phillips, Sanjena Sathian, Peter Orner, Rosmarie Waldrop, Colin Channer, Isabella Hammad, Lance Olsen, Diane Williams, Laird Hunt, Laynie Browne, Wendy Xu, JoAnna Novak, Megan Kakimoto, Quincy Troupe, Tomaž Šalamun, Julia Elliott, and Robert Coover, and a foreword by Rick Moody. For more information about this issue, visit conjunctions.com/print/archive/conjunctions76. |
Friday, June 4, 2021
An evening of readings by Robert Coover, Akil Kumarasamy, Shane McCrae, and Karen Russell, hosted by Bradford Morrow.
Online Event 7:00 pm – 8:00 pm EDT/GMT-4 Please join us for an online evening of readings from Conjunctions:76, Fortieth Anniversary Issue, the latest issue of the biannual literary journal published by Bard College. The celebratory event will feature readings by contributing authors Robert Coover, Akil Kumarasamy, Shane McCrae, and Karen Russell, and an introduction by founder and editor Bradford Morrow. The event is free and open to the public. Presented in partnership with Oblong Books. Register to attend via CrowdCast here. About Conjunctions:76, Fortieth Anniversary Issue Edited by Bradford Morrow and published twice yearly by Bard College, Conjunctions showcases innovative fiction, poetry, and creative nonfiction by emerging voices and contemporary masters. The spring 2021 issue, Conjunctions:76, Fortieth Anniversary Issue, celebrates the magazine’s forty years in print, with new and previously unpublished work by Ben Okri, Karen Russell, Peter Cole, Ann Lauterbach, Lydia Davis, Samuel R. Delany, Akil Kumarasamy, John Ashbery, Joyce Carol Oates, Sofia Samatar, Richard Powers, Shane McCrae, Rachel Blau DuPlessis, William H. Gass, Can Xue, Jessica Campbell, Fred D’Aguiar, Isaac Bashevis Singer, Carole Maso, Julia Alvarez, Genya Turovskaya, Mark Irwin, Jayne Anne Phillips, Sanjena Sathian, Peter Orner, Rosmarie Waldrop, Colin Channer, Isabella Hammad, Lance Olsen, Diane Williams, Laird Hunt, Laynie Browne, Wendy Xu, JoAnna Novak, Megan Kakimoto, Quincy Troupe, Tomaž Šalamun, Julia Elliott, and Robert Coover, and a foreword by Rick Moody. For more information about this issue, visit conjunctions.com/print/archive/conjunctions76. |
Monday, May 17, 2021
Campus Center, Weis Cinema 6:00 pm – 8:00 pm EDT/GMT-4
Join the Written Arts Program for three nights of senior readings! Written Arts seniors will be reading excerpts from their recently completed senior projects in fiction, poetry, narrative nonfiction, and hybrid forms, with introductory and closing remarks from Written Arts faculty. This event will be held in person for a limited audience in Weis Cinema, while also being live streamed for remote attendees. All are welcome! Monday, May 17 Readers Raksha Boiteau Lee Bowers Davide De La Cruz Ari Ray Agnew Emily Florance Menahem Haike Hakima Alem Sophia Kagan Blaire Peppe Grace Kasemeier Hunter Lustberg Liam Mayo Ella McGrail Lagan Talley Eliza Watson Zoom link for event: https://bard.zoom.us/j/9947690283?pwd=RENaTTk5bXJycmpOR29OODZwTGt6Zz09 |
Wednesday, May 12, 2021
Campus Center, Weis Cinema 6:00 pm – 8:00 pm EDT/GMT-4
Join the Written Arts Program for three nights of senior readings! Written Arts seniors will be reading excerpts from their recently completed senior projects in fiction, poetry, narrative nonfiction, and hybrid forms, with introductory and closing remarks from Written Arts faculty. This event will be held in person for a limited audience in Weis Cinema, while also being live streamed for remote attendees. All are welcome! Monday, May 17 Readers Raksha Boiteau Lee Bowers Davide De La Cruz Ari Ray Agnew Emily Florance Menahem Haike Hakima Alem Sophia Kagan Blaire Peppe Grace Kasemeier Hunter Lustberg Liam Mayo Ella McGrail Lagan Talley Eliza Watson Zoom link for event: https://bard.zoom.us/j/9947690283?pwd=RENaTTk5bXJycmpOR29OODZwTGt6Zz09 |
Monday, May 10, 2021
Campus Center, Weis Cinema 6:00 pm – 8:00 pm EDT/GMT-4
Join the Written Arts Program for three nights of senior readings! Written Arts seniors will be reading excerpts from their recently completed senior projects in fiction, poetry, narrative nonfiction, and hybrid forms, with introductory and closing remarks from Written Arts faculty. This event will be held in person for a limited audience in Weis Cinema, while also being live streamed for remote attendees. All are welcome! Monday, May 17 Readers Raksha Boiteau Lee Bowers Davide De La Cruz Ari Ray Agnew Emily Florance Menahem Haike Hakima Alem Sophia Kagan Blaire Peppe Grace Kasemeier Hunter Lustberg Liam Mayo Ella McGrail Lagan Talley Eliza Watson Zoom link for event: https://bard.zoom.us/j/9947690283?pwd=RENaTTk5bXJycmpOR29OODZwTGt6Zz09 |
Thursday, April 29, 2021
7:00 pm – 8:30 pm EDT/GMT-4
Hosted by Oblong Books Award-winning author Michael Sadowski will talk with Domenica Ruta about his new memoir, Men I’ve Never Been, in which he recounts his odyssey as a boy who shuns his own identity—and, ultimately, his sexual orientation—in order to become who he thinks he’s supposed to be. Each chapter of Men I've Never Been highlights a different image of manhood that Sadowski saw at home, at school, or on television—from sports heroes, hunters, and game show hosts to his charismatic but hard-drinking father. As he learns not to talk, laugh, cry, or love, he retreats further behind a stoic mask of silence—outwardly well-functioning but emotionally isolated, sinking under the weight of the past. Michael Sadowski is the author of the acclaimed books In a Queer Voice, Safe Is Not Enough, and Adolescents at School. He is an administrator and professor at Bard College. Domenica Ruta is the author of the celebrated New York Times bestselling memoir With or Without You and the novel Last Day. Her short fiction has appeared in the Boston Review, the Indiana Review, and Epoch. She lives in New York City. This online event is free. Your purchase of a book helps support the author and our independent bookstore and is greatly appreciated. Shipping or contactless curbside pickup available. Register for the event here: https://www.crowdcast.io/e/michael-sadowski-w/registerPurchase the book here: https://www.oblongbooks.com/event/online-micahel-sadowski-w-domenica-ruta |
Sunday, April 18, 2021
The Otolith Group’s INFINITY minus Infinity
Online Event 1:00 pm – 4:00 pm EDT/GMT-4 Following a 72-hour online screening of The Otolith Group’s INFINITY minus infinity (2019), join a discussion about the film between Otolith Group members Anjalika Sagar and Kodwo Eshun and INFINITY minus Infinity performer Esi Eshun, moderated by Bard College Critic in Residence Ed Halter. Presenters: Anjalika Sagar (artist, The Otolith Group), Kodwo Eshun (artist, The Otolith Group), Esi Eshun (sound artist and performer), Ed Halter (Critic in Residence, Film and Electronic Arts, Bard College). This series is presented by the Film and Electronic Arts Program and cosponsored by Creative Process in Dialogue: Art and the Public Today, Africana Studies, Center for Faculty and Curricular Development, the Center for Curatorial Studies, the Bard Memetics Laboratory, Experimental Humanities, American Studies, and Written Arts. |
Friday, April 16, 2021
The Black and Crazy Blues
Online Event 6:00 pm – 8:00 pm EDT/GMT-4 A discussion on and between Black filmmakers working in experimental forms, moderated by film historian Michael B. Gillespie. “This program is a gathering of artists, curators, and scholars devoted to thinking about the aesthetic and cultural detail of Black film and media. Through the sharing of clips and ideas, these friends consider the complications and pleasures generated by the art of Blackness” (M. Gillespie). Presenters: Michael B. Gillespie (film historian, CUNY; author, Film Blackness: American Cinema and the Idea of Black Film), Kevin Jerome Everso (filmmaker, artist), Christopher Harris (filmmaker, artist), Greg De Cuir Jr. (independent curator, writer, and translator). This series is presented by the Film and Electronic Arts Program and cosponsored by Creative Process in Dialogue: Art and the Public Today, Africana Studies, Center for Faculty and Curricular Development, the Center for Curatorial Studies, the Bard Memetics Laboratory, Experimental Humanities, American Studies, and Written Arts. |
Tuesday, April 6, 2021
A Talk With Richard Jean So
Assistant Professor of English and Cultural Analytics, McGill University Online Event 5:00 pm – 7:00 pm EDT/GMT-4 This talk introduces some recent research on the history of American book publishing and racial inequality. Its main argument is, historically, the post-war period (1950-2000) invented a form of white hegemony, both in terms of who gets to write books, as well as the kinds of stories that get told, that persists into the present. It also includes a discussion of the affordances of data and data science for the humanities, particularly the study of culture, the arts, and race. Richard Jean So is assistant professor of English and Cultural Analytics at McGill University. His most recent book is Redlining Culture: A Data History of Racial Inequality and Postwar Fiction. Zoom Link: https://bard.zoom.us/j/85261488756?pwd=Q3RJTDUxNmIxL0Evb2RBMnF3UlRqZz09 |
Monday, March 29, 2021
in conjunction with the Written Arts Colloquium
Online Event 5:40 pm – 7:00 pm EDT/GMT-4 Join the Written Arts Colloquium for a virtual reading with writer and Bard Written Arts alumna Jane Wong. The reading will be followed by a Q&A and generative writing session. Jane Wong's poems can be found in places such as Best American Nonrequired Reading 2019, Best American Poetry 2015, American Poetry Review, POETRY, AGNI, Third Coast, New England Review, and others. Her essays have appeared in McSweeney's, Black Warrior Review, Ecotone, The Common, The Georgia Review, Shenandoah, and This is the Place: Women Writing About Home. A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from the U.S. Fulbright Program, Artist Trust, 4Culture, the Fine Arts Work Center, Bread Loaf, Hedgebrook, Willapa Bay, the Jentel Foundation, SAFTA, Mineral School, and others. She is the author of Overpour from Action Books (2016), and How to Not Be Afraid of Everything, which is forthcoming from Alice James Books (forthcoming, October 2021). She holds an M.F.A. in Poetry from the University of Iowa and a Ph.D. in English from the University of Washington and is an Associate Professor of Creative Writing at Western Washington University. The recipient of the James W. Ray Distinguished Artist award for Washington artists, her first solo art show “After Preparing the Altar, the Ghosts Feast Feverishly” was exhibited at the Frye Art Museum in 2019. A scholar of Asian American poetry and poetics as well, you can explore "The Poetics of Haunting" project here. Follow this Zoom link to attend: https://bard.zoom.us/j/3897375235 |
Tuesday, March 23, 2021
8:00 pm – 9:00 pm EDT/GMT-4
Presented by the Bard Meme Lab, the Hannah Arendt Center, the Office of Gender Equity, and the Written Arts Program Since December 2018, the poet and critic Erin Taylor has been creating memes for her Instagram meme page, @atmfiend. These meme's display an emotional depth and textual playfulness which both innovates the form of memes and brings them into conversation with writers like Kathy Acker. She will be speaking about her works intersection with sex workers’ rights movement, complex trauma, and the power of memes as a digital artform. This will be followed by a discussion with critic and theorist Cecily Chen, a UChicago PhD student who focuses on queer and feminist theory, and a Q&A. |
Tuesday, March 23, 2021
Online Event 6:00 pm – 7:30 pm EDT/GMT-4
Since December 2018, the poet and critic Erin Taylor has been creating memes for her Instagram meme page, @atmfiend. These memes display an emotional depth and textual playfulness which both innovates the form of memes and brings them into conversation with writers like Kathy Acker. She will be speaking about the intersection of her craft with the sex workers’ rights movement and complex trauma, and the power of memes as a digital art form. This will be followed by a discussion and moderated Q&A with critic and theorist Cecily Chen, a UChicago PhD student who focuses on queer and feminist theory. Register for the event here: https://www.eventbrite.com/e/erin-taylor-aka-atmfiend-in-conversation-with-cecily-chen-tickets-144061719481 memelab.bard.edu |
Wednesday, February 24, 2021
Online Event 5:00 pm – 6:30 pm EST/GMT-5
The Written Arts program will be holding a moderation Q&A over Zoom. Students intending to moderate into the Written Arts will have the opportunity to speak with faculty about the Moderation process and specific Written Arts requirements. Students intending to moderate into Written Arts this semester are required to attend this event. Those who are unable to attend are asked to please notify the program coordinator ([email protected]) in advance. Join Zoom Meeting https://bard.zoom.us/j/88610076541?pwd=UnRWVWV0SnpPVXJpTStrMmJ3SnYzZz09 Meeting ID: 886 1007 6541 Passcode: 784518 One tap mobile +16465588656,,88610076541# US (New York) +13017158592,,88610076541# US (Washington DC) Dial by your location +1 646 558 8656 US (New York) +1 301 715 8592 US (Washington DC) +1 312 626 6799 US (Chicago) +1 669 900 9128 US (San Jose) +1 253 215 8782 US (Tacoma) +1 346 248 7799 US (Houston) Meeting ID: 886 1007 6541 Find your local number: https://bard.zoom.us/u/ks9GvKZmj |